BookBlast® @bookblast presents the first of its monthly Top 10 reads, showcasing the internationalist diversity of indie publishers. There’s something for everyone – enjoy!
FANTASY & SHAMANISM
Lin Man-Chiu | The Ventriloquist’s Daughter (trs. Helen Wang) | Young adult fiction, Balestier Press ISBN 1911221050 buy here | Review, Global Literature in Libraries Initiative | @BalestierPress @HelenWangLondon
Move over Hollywood and all those creepy doll horror movies! This sours-weet story is compellingly weird and shamanic. When Luir’s mother dies, her father, a thwarted artist working as a doctor in the family hospital, is overcome with grief. He goes abroad to study and promises he will bring home a doll for his six-year-old daughter, Luir, who is left in the care of her grandparents. But the doll brought home from Peru by daddy is a menacing presence in the house, causing strife within the family.
The Ventriloquist’s Daughter was longlisted for the 2014 Found in Translation Award.
TARANTINO ON THE PAGE
Quentin Mouron | Three Drops of Blood and a Cloud of Cocaine (trs. Donald Wilson) | Crime fiction, Bitter Lemon Press ISBN 1908524836 buy here | Review, Crime Time | @bitterlemonpub @QuentinMouron1
This fast-paced and entertaining thriller is cocaine-fuelled Tarantino on the page. “Gomez lifts the top of the sheet. McCarthy is dumbfounded. He has seen dead bodies in Watertown before – the tragic residue of drunken brawls outside bars or nightclubs, victims of muggings committed by drug-starved addicts or illegals awaiting deportation; he has also had to deal with the settling of scores between motorcycle gangs; he even saw the lifeless corpse of Tamerlan Tsarnaev, the Boston bomber, before the Feds took it away. Bodies with their throats cut like Jimmy’s aren’t rare. Yet this is the first time he has been confronted with a corpse with the eyes slashed, the tongue cut out, and the cheeks gashed up to the ears.”
Swiss poet, novelist and journalist, Quentin Mouron won the prix Alpes-Jura for his novel Au point d’effusion des égouts in 2011.
Continue reading BookBlasts® | Top 10 Reads for Independent Minds | July 2017
“Translation does not simply jump from one language to another. It also ‘crosses’ languages in the sense of blending them, as you might cross a bulldog with a borzoi, or two varieties of rose . . . Translation can cross languages that have much in common – for example, English and French – and language that are very distant – like English and Malay; it can span languages that share the same script system (Japanese and Korean) and those that don’t (Japanese and Arabic or German); it can go between dialects (or between a dialect and a language) or between different words of the same language . . . Translation can be done by one person, or several, or hundreds – or by machine. It can be a matter of life or death, as in a war zone; or an ordinary part of everyday existence in a multilingual community.” Matthew Reynolds, Translation: A Very Short Introduction
In short, language-learning and translation skills are vital in our global era. Ever more so for Brexit Britain: as links are severed with Europe, forging new links with faraway foreign countries will become crucial. How ironic that the prevailing mood is so bulldog British, with foreign language learning on a downward slide, and languages no longer being part of the core curriculum for 14 to 16-year-olds. To expect everyone else to speak English, the lingua franca spoken across the world, and no longer be embarrassed by being monolingual, is a deeply arrogant and short-sighted attitude. Language is the means by which one accesses a culture, and is the expression of a culture.
There are oases of hope. Thank goodness for those universities which run language courses and postgraduate degrees in translation – Westminster, Roehampton, SOAS, UCL, UEA and Portsmouth among them.
Continue reading Spotlight | Oxford Translation Day at St Anne’s College
BookBlast™ reviews Greek crime novel in translation, Blood & Gold.
Blood & Gold, and an earlier thriller by Leo Kanaris, Codename Xenophon, are perfect examples of how well-crafted detective fiction from another culture opens windows on to a brave new world, and shows that there are more similarities than differences between us all as we get on with the business of living in failing Western societies.
As the post-war liberal bandwagon begins to roll backwards, overtaken by the populist demagogue’s juggernaut of lies, we need more cracking good crime stories like this one, to entertain, illuminate, and inform.
Continue reading Review | Leo Kanaris, Blood & Gold | Book of the Week
Britain is part of Europe – like it or not! Border controls do not function when it comes to words since ideas have no borders. Books in translation disseminating knowledge and cultural awareness matter more than ever as prejudice and discrimination make an unwelcome (re)appearance on the Western stage.
As part of the build up to France’s invitation of honour to the Frankfurt Book Fair in October 2017, a series of discussion panels – “triangular talks” – were held on Monday 13 March at the French Institute in London. Leading book editors from Germany, France and Britain met to discuss fiction, non fiction and what the future holds. Publishers, translators, agents and scouts packed out the library at the IFRU to hear them. Lucie Campos, Head of the French Book Office, chaired the discussions.
Continue reading Spotlight | Britain and Creative Europe: what do book editors want?
Roberto Bolaño called novelist Alan Pauls from Argentina “one of the best living Latin American writers.” The Past, first published in the UK in Nick Caistor’s English translation, is about obsessive love, addiction and self-destruction, played out against a bewitching backdrop: Buenos Aires. It is a strange, unsettling read.
Protagonist Rimini is good looking and easy going; his partner Sofia is eccentric and strong. Their relationship seems inviolable and eternal to their friends, but “occasionally Rimini faltered. He wavered, ran away from Sofia, and then was enraged at his own weakness.” They split up after twelve years, but Sofia refuses to accept that they are no longer a couple, “two people like us cannot separate”. She writes letters and leaves messages on Rimini’s answering machine, obsessing about the importance of sorting through the hundreds of photos of their time together, but he is scared to look at them, “for fear of being sucked into an emotional whirlpool and drowning in it.” Sofia’s presence becomes ominous like that of a stalker. She clings on as he struggles to let go and make a new life.
Continue reading Review | The Past, Alan Pauls | booktrust.org.uk 2008
Ebury Street in London’s Belgravia: a quiet, residential, affluent area. The perfect place for a bookshop where readers can enjoy peaceful browsing away from the madding crowd, and dip into some of the best French writing available in English translation. However the Belgravia Books Collective is not just a shop, but also the home of independent publishing success story, Gallic Books. It has been very much on my radar and, at last, I am going to talk to one of the founders.
Jane Aitken and Pilar Webb met when they were both working at Random House children’s, and they went on to co-found Gallic Books in 2006. Headliners Muriel Barbery (trs. Alison Anderson), Antoine Laurain (trs. Emily Boyce & Jane Aitken), Michel Déon (trs. Julian Evans) and Yasmina Khadra (trs. Howard Curtis), have an enthusiastic following among discerning British readers who relish a good, well-written read from foreign shores.
Continue reading Interview | Jane Aitken, publisher, Gallic & Aardvark
Tell us a little bit about yourself.
I grew up in Barcelona. When I was twenty three I went to the Netherlands for a couple of months and I ended up staying there for twelve years. Now I am back home for seven years already, but I still feel like I am a bit Dutch.
When you were a child, what did you want to be when you grew up?
As a teenager I saw myself as a teacher. As a child, I don’t remember.
What books have had a lasting impact on you?
When I was a teenager I read everything from Edgar Allan Poe and his tales made me want to write. Later on, when I was in art school in Barcelona, I read Opera aperta by Umberto Eco. That book helped me understand why I liked some books better than others. And when years later I started writing, it helped me see that I was doing it fine by doing my own way without thinking about who was going to read my words.
Continue reading Interview | Laia Fàbregas | Author of the Week