Lesley Blanch & the 1950s Woman | Waterstones, Gower Street, London W1

Georgia de Chamberet & Elisa Segrave celebrate the 1950s Woman

Wednesday 5th July, 6.30 pm Waterstones, Gower Street, London W1 @gowerst_books @quartetbooks

Join us for a glass of wine to toast the publication of Far To Go and Many To Love: People and Places by Lesley Blanch — the sequel to her posthumous memoirs, On the Wilder Shores of Love: A Bohemian Life, published by Virago (2015).

Tickets include wine and are redeemable against books purchased.

SPECTATOR Lesley Blanch was incapable of writing boringly or badly
Continue reading Lesley Blanch & the 1950s Woman | Waterstones, Gower Street, London W1

Media Release | Far To Go and Many To Love: People and Places, Lesley Blanch

This selection of early journalism and travelling tales by Lesley Blanch, edited by Georgia de Chamberet, published on 1 June by Quartet Books, forms a captivating sequel to On the Wilder Shores of Love:A Bohemian Life (Virago, 2015; PB 2017).

Savvy, self-possessed, talented and successful, Lesley Blanch was a bold and daring writer, travelling at a time when women were expected to stay at home and be subservient to the needs of husbands and children. She was an inspiration to a generation of women – Marianne Faithfull and Shirley Conran among them. This selection of her writings brims with her customary wit and sheds new light on an eternally fascinating – and truly inimitable – character.

Illustrated with photos and Blanch’s theatre portfolio from her time working with Russian émigré director/producer, Theodore Komisarjevsky; and featuring an insightful introduction. Far To Go and Many To Love brings together writings on subjects as various as Vivien Leigh, polygamy, the Orient Express and Afghanistan.

Praise for On the Wilder Shores of Love…
‘Sumptuous and captivating’ – Independent
‘This is a truly remarkable book’ – Daily Telegraph

Lesley Blanch MBE was born in London in 1904. She spent the greater part of her life travelling, to Russia, Central Asia and the Middle East. She published 12 books in her lifetime and was a prolific journalist. She died in 2007 at the age of 103. website: www.lesleyblanch.com twitter: @lesleyblanch

HB • 234x156mm • Literary Bio (BGL) • £25 •  9780704374348 • Quartet Books.

For further info or to interview the editor please contact
Grace Pilkington grace@quartetbooks.co.uk tel 0207 636 3992

Proust’s Questionnaire | Lesley Blanch

Lesley Blanch (1904-2007) influenced and inspired generations of writers, readers and critics. Her lifelong passion was for Russia, the Balkans and the Middle East. At heart a nomad, she spent the greater part of her life travelling about those remote areas her books record so vividly.
She left England in 1946, never to return, except as a visitor. Her marriage to Romain Gary, the French novelist and diplomat, afforded her many years of happy wanderings. After their divorce, in 1963, Blanch was seldom at her Paris home longer than to repack.
Her posthumous memoirs On the Wilder Shores of Love: A Bohemian Life are published by Virago, Little Brown.

Where would you like to live?
It must be a warm country. If I really want to be coldly factual I must try to live where I can be looked after, but that’s a very dull answer only come on me now when I’m approaching one hundred. I should like to live in the Levant, somewhere in a Moslem country; the Moslems respect age. I loved Afghanistan passionately, but not the way it is now. I read, over and over again, the place names, just to get back there.

What is your idea of happiness on earth?
I want a garden and animal companionship and music.

What faults do you find most forgivable?
Temper. Rudeness. I forgive them very quickly. I don’t bear much malice because I’m too bored with it. Continue reading Proust’s Questionnaire | Lesley Blanch

Lesley Blanch and the Art of Narrative Non Fiction

Narrative non fiction: a new category

When Lesley Blanch wrote that “Journey into the Mind’s Eye is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category . . .” the label narrative non-fiction did not yet exist. Her autobiography about the early part of her life was published in 1968. She was ahead of her time. Like Rebecca West and Truman Capote, Lesley Blanch was experimenting with different forms and techniques to tell a damn good ‘true’ story.

Lesley Blanch claimed she could not invent, hence choosing biography rather than fiction, although her storytelling was underpinned by a vivid imagination and scholarly research. The Sabres of Paradise: Conquest and Vengeance in the Caucasus took six years to complete and required thorough investigation in Russia and Turkey.

What is narrative non fiction?

Narrative non-fiction is not just a convenient label used by publishers to help booksellers categorise their titles and display them, or a new genre fresh out of American writing schools for literary critics to argue about. It is favoured by clever young editors like Leo Hollis at Verso, or Richard Milner at Quercus, as a way to get across difficult, or dry, ideas in an engaging manner. People are most interested in other people and their experiences, not the dusty archives of research. To take the reader on a scientific, or philosophical, or historical journey of discovery by means of a series of a well-written scenes knitted together to form a compelling whole, as opposed to recounting how A then B then C happened in a cut-and-dried linear fashion, makes for a more exciting read and a saleable book.

Continue reading Lesley Blanch and the Art of Narrative Non Fiction

Lesley Blanch | W.R.N.S. on the job, November 1941

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics. She covered various aspects of Britain at war for the Ministry of Information, and documented the lives of women in the forces with her friend the photographer Lee Miller.

It is an indisputable fact that occupations and professions breed their own particular type. There are occupational faces, as there are occupational diseases, except in the case of the bored, spoiled, overfed idler, now fortunately rarely seen, save at luxurious hotels in ‘safe’ areas, where the face, and its accompanying malaise, might be described as non-occupational.

The ostler cannot be mistaken for the chauffeur, though doctors and lawyers, like poets and scientists, often pair indistinguishably. But the soldier, the sailor, and the airman are each distinct and apart front each other.

Continue reading Lesley Blanch | W.R.N.S. on the job, November 1941