BookBlast™ reviews Greek crime novel in translation, Blood & Gold.
Blood & Gold, and an earlier thriller by Leo Kanaris, Codename Xenophon, are perfect examples of how well-crafted detective fiction from another culture opens windows on to a brave new world, and shows that there are more similarities than differences between us all as we get on with the business of living in failing Western societies.
As the post-war liberal bandwagon begins to roll backwards, overtaken by the populist demagogue’s juggernaut of lies, we need more cracking good crime stories like this one, to entertain, illuminate, and inform.
Continue reading Review | Leo Kanaris, Blood & Gold | Book of the Week
“A new literary genre: paranoid fiction. Everyone is a suspect; everyone feels pursued,” Ricardo Piglia (published by Deep Vellum & Duke University Press).
Beef, gauchos and the tango. Eva Perón, military dictatorship and The Disappeared. Maradona, the 1986 World Cup and Thatcher’s last stand for Empire. Such are the answers of friends when asked what images Argentina conjures up in their mind’s eye. To which I would add, bookishly, Jorge Luis Borges, Julio Cortázar and Ernesto Sabato.
Crime novelist Claudia Piñeiro is a welcome discovery. All Yours, A Crack in the Wall, Thursday Night Widows published by Bitter Lemon Press, and now Betty Boo, give an alternative, very contemporary view of Argentina. The abuse of public power for private benefit is increasingly a global problem, manifested in myriad nuanced ways at a local level. Corruption is invariably intrinsic to the way power is exercised. Just recently, the name of Argentina’s new president, Mauricio Macri, appeared in the Panama Papers leaked files. Continue reading Book of the Week | Betty Boo by Claudia Piñeiro
Are (were) your parents great readers? Tell us a bit about yourself.
With a Greek mother and a Swiss/Austrian father, the bookshelves at home were the reflection of a mad continent. Goethe, Mann, Holderlin rubbing shoulders with Leigh Fermor, Kavafy and Seferis. And many biographies of T.E. Lawrence.
Did you want to work in the publishing industry from the start?
Loved reading ‘from the start’ but publishing is a second career, begun at age 57.
Has your vision from when you started Bitter Lemon Press 13 years ago changed?
We entered the water gingerly, with a narrow focus on translated crime fiction. We have since diversified into novels written in English, both literary crime and general literary fiction, and also added a non-fiction imprint called Wilmington Square Books. WSB publishes thoughtful and engaging books about culture and society. Continue reading Indie Publisher of the Week | François von Hurter, Bitter Lemon Press
“Life has always loomed large over us dwarves. Some take to it like a fish to water despite their diminished state and are even happy, while others tramp along the shores of existence like dogs driven wild by urban detritus, licking the sores of their own resentment, tempered by the terrible lash of indifference, as they tumble and stumble toward their tombs.” Goyito, in A Bad End
Historically, midgets often served as jesters, or entertainers in the courts of kings and aristocratic households. Isabella d’Este designed part of her palace for them and remembered two in her will. The paintings of Velázquez record the appearance of dwarves at the court of Philip IV of Spain. In the 18th and 19th centuries Russian tsars and nobles kept innumerable dwarfs; in 1710 a dwarf couple spent their wedding night in the tsar’s bedchamber. American showman P.T. Barnum publicized Charles Stratton (“General Tom Thumb”) in 1842 and he became an international star.
Continue reading Book of the Week | A Bad End by Fernando Royuela