Media Release | The Dandy at Dusk, Philip Mann

A chronicle of dandyism and decadence from Regency England to the late twentieth century.

Philip Mann does for the sartorial arts what Mario Praz has done for interior design, and more. A future classic,” Nicky Haslam, interior designer

Philip Mann chronicles the relationship of dandyism and the emerging cultural landscape of modernity via portraits of Regency England’s Beau Brummell – the first dandy – and six twentieth-century figures: Austrian architect Adolf Loos, The Duke of Windsor, neo-Edwardian couturier Bunny Roger, writer and raconteur Quentin Crisp, French film producer Jean-Pierre Melville, and New German Cinema enfant terrible and inverted dandy Rainer Werner Fassbinder.

He blends memorable anecdotes with acute analysis to explore their style, identity and influence and interweaves their stories with an entertaining history of tailoring and men’s fashion. The Dandy at Dusk contextualises the relationship between dandyism, decadence and modernism, against the background of a century punctuated by global conflict and social upheaval.

AUTHOR
Born in Germany, Philip Mann has lived in England since 1988 and has a degree in the History of Art. He has written for Frankfurter Allgemeine Zeitung and Vogue and has lectured on sartorial matters in Vienna, New York, Bern and London.

Publication Date: 5th October 2017
Hardback price: £25.00

For more information please contact Suzanne Sangster at Head of Zeus
email Suzanne@headofzeus.com
telephone 020 7553 7992

 

Media Release | Lesley Blanch & the 1950s Woman | Waterstones, Gower Street, London W1

Georgia de Chamberet & Elisa Segrave celebrate the 1950s Woman

Wednesday 5th July, 6.30 pm Waterstones, Gower Street, London W1 @gowerst_books @quartetbooks

Join us for a glass of wine to toast the publication of Far To Go and Many To Love: People and Places by Lesley Blanch — the sequel to her posthumous memoirs, On the Wilder Shores of Love: A Bohemian Life, published by Virago (2015).

Tickets include wine and are redeemable against books purchased.

SPECTATOR Lesley Blanch was incapable of writing boringly or badly
Continue reading Media Release | Lesley Blanch & the 1950s Woman | Waterstones, Gower Street, London W1

Media Release | Far To Go and Many To Love: People and Places, Lesley Blanch

This selection of early journalism and travelling tales by Lesley Blanch, edited by Georgia de Chamberet, published on 1 June by Quartet Books, forms a captivating sequel to On the Wilder Shores of Love:A Bohemian Life (Virago, 2015; PB 2017).

Savvy, self-possessed, talented and successful, Lesley Blanch was a bold and daring writer, travelling at a time when women were expected to stay at home and be subservient to the needs of husbands and children. She was an inspiration to a generation of women – Marianne Faithfull and Shirley Conran among them. This selection of her writings brims with her customary wit and sheds new light on an eternally fascinating – and truly inimitable – character.

Illustrated with photos and Blanch’s theatre portfolio from her time working with Russian émigré director/producer, Theodore Komisarjevsky; and featuring an insightful introduction. Far To Go and Many To Love brings together writings on subjects as various as Vivien Leigh, polygamy, the Orient Express and Afghanistan.

Praise for On the Wilder Shores of Love…
‘Sumptuous and captivating’ – Independent
‘This is a truly remarkable book’ – Daily Telegraph

Lesley Blanch MBE was born in London in 1904. She spent the greater part of her life travelling, to Russia, Central Asia and the Middle East. She published 12 books in her lifetime and was a prolific journalist. She died in 2007 at the age of 103. website: www.lesleyblanch.com twitter: @lesleyblanch

HB • 234x156mm • Literary Bio (BGL) • £25 •  9780704374348 • Quartet Books.

For further info or to interview the editor please contact
Grace Pilkington grace@quartetbooks.co.uk tel 0207 636 3992

Lesley Blanch Archive | Giles: Friendship in a Time of War, British Vogue, 1944

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics. She covered various aspects of Britain at war for the Ministry of Information, and documented the lives of women in the forces with her friend the photographer Lee Miller.

In these unsettled, divided times in which segregation and racism are making an unwelcome comeback, positive historical reminders of tolerance and kindness are to be celebrated and shared.

The exhibition, Giles: Friendship in a time of war, curated by social historian David Cain, tells of the British cartoonist’s all-but-forgotten friendship with two African-American GIs, Butch and Ike, based near his Suffolk home during World War Two.

In the early 1940s, Giles lived with his wife, Joan, in Badger’s Cottage in Tuddenham St. Martin. He befriended several men serving with 923rd Engineer Aviation Regiment based at nearby RAF Debach. He often welcomed Butch and  Ike at his home for drinks. Giles loved Jazz and their musical evenings frequently spilled over into the local village pub.

Continue reading Lesley Blanch Archive | Giles: Friendship in a Time of War, British Vogue, 1944

Lesley Blanch Archive | Seaworthy and Semi-seagoing, British Vogue, 1943

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics, and documented the lives of women in the forces with her friend the photographer Lee Miller.

This is the story of The Women ― today, as Clare Boothe Luce never imagined them yesterday. An all-star, all-women cast, it’s true, but there the resemblance ceases. These women are playing their parts in a world drama, but they remain limelight dodgers. And the scene is no demi-paradise of beauty parlours but the wild hills and lochs of Western Scotland.

Here, in pitching little boats, cutting through the mists and gales, on the big depot ship, swarming up and down plunging rope ladders, balanced, cat-like, to walk along the perilous jutting booms, picked Wrens undergo their boats-crew training. Or work as visual signallers, or service the torpedoes and depth charges aboard the motor torpedo boats and corvettes in the clanging uproar and grime of the Naval bases. One and all disprove the old wives’ or rather the old-fashioned husbands’ tale that woman’s place is the home, that women can’t get on together.

Continue reading Lesley Blanch Archive | Seaworthy and Semi-seagoing, British Vogue, 1943

Lesley Blanch Archive | Ack-Ack A.T.S. and others, British Vogue, January 1942

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics. She covered various aspects of Britain at war for the Ministry of Information, and documented the lives of women in the forces with her friend the photographer Lee Miller.

The scene is a wild stretch of coast. There are mountains inland, glimpsed nebulously through the icy, blanketing mists which lie low over the ragged, sodden fields. The cold appals. The most leathery-looking sergeant shudders. I am huddled inside a wigwam of topcoats. Stamping and shuffling in their battledress, the A.T.S. are blowing on their hands, waiting for the command to take over the gunsites.

This is one of the big practice camps where the Mixed A.A. Batteries, or gun teams, receive their final training before being sent to man the many defence posts. On the edge of the cliffs stand the great guns. Low overhead a practice or target plane rolls, swoops and spins with show-off brilliance. In the lee of a little glass-walled lean to hut where some remotely, beautifully academic-looking kine-theodolite girls are at work recording and checking the gunfire, a group of gunnery officers argue a point of tactics. Their scarlet capbands are sharp against the prevailing khaki of place and personnel.

Continue reading Lesley Blanch Archive | Ack-Ack A.T.S. and others, British Vogue, January 1942

Spotlight | Lesley Blanch and the Art of Narrative Non Fiction

Narrative non fiction: a new category

When Lesley Blanch wrote that “Journey into the Mind’s Eye is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category . . .” the label narrative non-fiction did not yet exist. Her autobiography about the early part of her life was published in 1968. She was ahead of her time. Like Rebecca West and Truman Capote, Lesley Blanch was experimenting with different forms and techniques to tell a damn good ‘true’ story.

Lesley Blanch claimed she could not invent, hence choosing biography rather than fiction, although her storytelling was underpinned by a vivid imagination and scholarly research. The Sabres of Paradise: Conquest and Vengeance in the Caucasus took six years to complete and required thorough investigation in Russia and Turkey.

What is narrative non fiction?

Narrative non-fiction is not just a convenient label used by publishers to help booksellers categorise their titles and display them, or a new genre fresh out of American writing schools for literary critics to argue about. It is favoured by clever young editors like Leo Hollis at Verso, or Richard Milner at Quercus, as a way to get across difficult, or dry, ideas in an engaging manner. People are most interested in other people and their experiences, not the dusty archives of research. To take the reader on a scientific, or philosophical, or historical journey of discovery by means of a series of a well-written scenes knitted together to form a compelling whole, as opposed to recounting how A then B then C happened in a cut-and-dried linear fashion, makes for a more exciting read and a saleable book.

Continue reading Spotlight | Lesley Blanch and the Art of Narrative Non Fiction

Lesley Blanch Archive | W.R.N.S. on the Job, British Vogue, November 1941

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics. She covered various aspects of Britain at war for the Ministry of Information, and documented the lives of women in the forces with her friend the photographer Lee Miller.

It is an indisputable fact that occupations and professions breed their own particular type. There are occupational faces, as there are occupational diseases, except in the case of the bored, spoiled, overfed idler, now fortunately rarely seen, save at luxurious hotels in ‘safe’ areas, where the face, and its accompanying malaise, might be described as non-occupational.

The ostler cannot be mistaken for the chauffeur, though doctors and lawyers, like poets and scientists, often pair indistinguishably. But the soldier, the sailor, and the airman are each distinct and apart front each other.

Continue reading Lesley Blanch Archive | W.R.N.S. on the Job, British Vogue, November 1941

Review | Two perfect his ‘n’ hers reads by Lesley Blanch

Lesley Blanch: always interesting, always flirtatiously alive, always passionate – Barnaby Rogerson, Country Life

Of Lesley Blanch’s biographies, The Sabres of Paradise: Conquest and Vengeance in the Caucasus was her favourite. Thorough research, a balanced approach and dramatic storytelling skills bring to life Imam Shamyl, the ‘Lion of Daghestan’, leader of the warring mountain tribes of Daghestan and Chechnya. From 1834-59 they fought to remain independent of Russia, strengthened only by the desire for an independent Caucasus and their religious faith. The Tzar took Shamyl’s eldest son as a hostage to St Petersburg. Shamyl captured two Georgian princesses (from the Tzarina’s entourage), a French governess and the children, and kept them in his harem until they could be exchanged for his son.

Continue reading Review | Two perfect his ‘n’ hers reads by Lesley Blanch