Review | Leo Kanaris, Blood & Gold | Book of the Week

BookBlast™ reviews Greek crime novel in translation, Blood & Gold.

Blood & Gold, and an earlier thriller by Leo Kanaris, Codename Xenophon, are perfect examples of how well-crafted detective fiction from another culture opens windows on to a brave new world, and shows that there are more similarities than differences between us all as we get on with the business of living in failing Western societies.

As the post-war liberal bandwagon begins to roll backwards, overtaken by the populist demagogue’s juggernaut of lies, we need more cracking good crime stories like this one, to entertain, illuminate, and inform.

Continue reading Review | Leo Kanaris, Blood & Gold | Book of the Week

Interview | François von Hurter, Bitter Lemon Press | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
With a Greek mother and a Swiss/Austrian father, the bookshelves at home were the reflection of a mad continent. Goethe, Mann, Holderlin rubbing shoulders with Leigh Fermor, Kavafy and Seferis. And many biographies of T.E. Lawrence.

Did you want to work in the publishing industry from the start?
Loved reading ‘from the start’ but publishing is a second career, begun at age 57.

Has your vision from when you started Bitter Lemon Press 13 years ago changed?
We entered the water gingerly, with a narrow focus on translated crime fiction. We have since diversified into novels written in English, both literary crime and general literary fiction, and also added a non-fiction imprint called Wilmington Square Books. WSB publishes thoughtful and engaging books about culture and society. Continue reading Interview | François von Hurter, Bitter Lemon Press | Indie Publisher of the Week

Interview | Claudia Piñeiro | Author of the Week

Tell us a little bit about yourself.
Woman, writer, mother, honest, curmudgeon.

When you were a child, what did you want to be when you grew up?
My top three careers were: Sociologist, Ecologist, Mathematician. In other words, everything!

What books have had a lasting impact on you?
David Grossman’s To The End Of The Land.

Why do you write?
Because writing is part of who I am. It’s existential. I wouldn’t be who I am if I didn’t write.
Continue reading Interview | Claudia Piñeiro | Author of the Week

Interview | Ana Pérez Galván, Hispabooks | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
No, my father is a voracious newspaper reader, but not a book reader. My mother does enjoy reading now and then a good novel, but not as a habit, very much the same as my two sisters. I am a forty-one-year-old woman from Madrid. I have two kids (a boy of six, Máximo, and a girl of eight, Ada). I love reading, I love music (my taste is very eclectic), I love sculling (I row in a local rowing club) and I love my partner, with whom I’ve been nearly fifteen years now, unmarried. I don’t believe in God – I’m an apostate. I believe in solidarity, equality, tolerance and love.

Did you want to work in the publishing industry from the start?
Yes, I’ve always had a passion for books and since an early age was clear about my wish to work in publishing, surrounded by books.
Continue reading Interview | Ana Pérez Galván, Hispabooks | Indie Publisher of the Week

Interview | Anne Dolamore, co-publisher, Grub Street | Indie Publisher of the Week

Anne Dolamore started her career in publishing in the mid 1970s in the sales and marketing department at Faber & Faber, after reading English at Lancaster University. She moved to André Deutsch as one of the first women reps in London and in 1982 set up her own special sales consultancy, advising publishers such as Pan Macmillan, Harper Collins, Chatto, Bodley Head and Cape. At the end of the 1980s she wrote her first book, The Essential Olive Oil Companion, which was packaged by Grub Street and published by Macmillan. Her next book A Buyer’s Guide to Olive Oil, was published in 1994. In 1988 she joined forces with John Davies (the publisher of military aviation history books) to run Grub Street, which was voted International Cookbook Publisher of the Year at the World Cookbook Awards in 2000.

Anne was Chair of the Guild of Food Writers for two years; Chair of Sustain – the alliance for better food and farming; and Chair of the London Food Links working group for 10 years and served on the board of London Food, set up by the Mayor of London to deliver a London Food Strategy. She is a member of the International Association of Culinary Professionals and Les Dames des Escoffier. She has written for numerous publications, has made a number of radio and TV appearances, and recorded her lifetime food memories as a contribution to the National Sound Archive. She has just completed recording for the Women in Publishing Oral History Project.

Were your parents great readers?
My parents did both read; my mother mostly fiction but my father did love poetry and when I was a child he read to me most nights from A Book of 1000 Poems. At his funeral in 2008 my daughter, Amy, read one of his favourite poems, Alfred Lord Tennyson’s The Brook. They did instill in me a love of reading from the earliest age, and of course I am of that generation (now 63 yrs old) where weekly visits to the local library was a rite of passage. Libraries nurtured my insatiable reading habit and made me love books. Continue reading Interview | Anne Dolamore, co-publisher, Grub Street | Indie Publisher of the Week

Indie Publisher of the Week | Clare Christian, founder, RedDoor Publishing @RedDoorBooks

Clare Christian has worked for a number of large publishing houses including Hodder, Orion, John Wiley and Pearson. In 2005 she co-founded The Friday Project where she published In Search of Adam by Caroline Smailes and bestselling non-fiction Blood, Sweat and Tea: Real Life Adventures in an Inner-city Ambulance by Tom Reynolds and Confessions of a GP by Dr. Benjamin Daniels. TFP was sold to HarperCollins in 2008 and Clare stayed on until 2009 before leaving to offer publishing consultancy services under the banner of The Book Guru. She has been developing RedDoor alongside The Book Guru since January 2014. She is a past winner of the UK Young Publisher of the Year award.

Are (were) your parents great readers? Tell us a bit about yourself.
Both my parents read quite a bit, my dad reads mainly non-fiction and Mum, fiction. I read everything from a young age. We made weekly visits to the library and the nice librarian would order in books from other libraries once I had worked my way through all of the books on their shelves!

Did you want to work in the publishing industry from the start?
No, my favourite subjects at school were the sciences and English. I did a degree in Zoology and was planning a PhD but time and finances ran out and I looked to combine my love of science and my love of books and decided I would go into publishing and publish popular science books. Of course publishing doesn’t quite work like that and I am yet to publish a popular science book.
Continue reading Indie Publisher of the Week | Clare Christian, founder, RedDoor Publishing @RedDoorBooks

Indie Publisher of the Week | Cheryl Robson, founder, Aurora Metro

Cheryl Robson is a producer/director of several short independent films, most recently ‘Rock ’n’ Roll Island’ which was nominated for Best Short Film at Raindance, London 2015. She worked at the BBC for several years and then taught filmmaking at the University of Westminster, before setting up a theatre company. She founded Aurora Metro 25 years ago and the company has published over 150 international writers. As a writer, she has won the Croydon Warehouse International Playwriting Competition, and as an editor, she recently worked with Gabrielle Kelly on Celluloid Ceiling: Women Film Directors Breaking Through, the first global overview of women film directors.

Are your parents great readers?
My mother still is a great reader and I remember reading just about everything in my school library aged ten.

Did you want to become a publisher from the start?
I worked in TV for several years then ran a theatre company before trying publishing. I am also a writer and filmmaker − publishing has the advantage of being able to move deadlines back on projects. Continue reading Indie Publisher of the Week | Cheryl Robson, founder, Aurora Metro