Breaking News | Paul Muldoon: Sadie and the Sadists Launch @RoughTrade East @TrumanBrewery

Eyewear Book Launch @RoughTrade East

Tonight’s your chance to catch the legendary Paul Muldoon performing from a new @EyewearBooks collection @RoughTrade East @TrumanBrewery 91 Brick Lane, London E1 6QL.

With 19 zany, brilliant song lyrics written for his band ‘Sadie and the Sadists’, this is your chance to meet and bear witness to #paulmuldoon – one of Ireland and the world’s greatest living poets.

Performance starts at 7, but come early to make sure you get a place.
BUY TICKETS here www.roughtrade.com

Pulitzer Prize winning poet #paulmuldoon will be interviewed by Dr Todd Swift of Eyewear Publishing, followed by a book signing of his new book.

The Poet #paulmuldoon

Paul Muldoon is the most influential and best-known poet now writing in English. He is  often described as a future Nobel winner. He served as Professor of Poetry at Oxford University from 1999 to 2004 and as poetry editor of The New Yorker from 2007 to 2017. In addition to being much in demand as a reader and lecturer, he occasionally appears with a spoken word music group, ‘Rogue Oliphant’.

In addition to the Pulitzer Prize, he has received an American Academy of Arts and Letters award in literature, the 1994 T. S. Eliot Prize, the 1997 Irish Times Poetry Prize, the 2003 Griffin International Prize for Excellence in Poetry, the 2004 American Ireland Fund Literary Award, the 2004 Shakespeare Prize, the 2005 Aspen Prize for Poetry, and the 2006 European Prize for Poetry.

The Times Literary Supplement describes Paul as being “the most significant English-language poet born since the second World War.”

Roger Rosenblatt, describes Paul Muldoon in the New York Times Book Review as being “one of the great poets of the past hundred years, who can be everything in his poems – word-playful, lyrical, hilarious, melancholy. And angry. Only Yeats before him could write with such measured fury.”

Sharing is caring! Please share this news!

SADIE AND THE SADISTS: Song Lyrics by Paul Muldoon | Eyewear Publishing £8.50

 

 

Interview | Ra Page, founder, Comma Press | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
Absolutely, both of them. My parents hoarded books, and they read to us every night as kids. My mother is a voracious reader of novels (although she never allows herself enough time to read them). My dad came from that great working-class tradition of self-betterment, investing in his own education throughout his life. He stock-piled political and historical texts, was a huge fan of EP Thomson and Eric Hobsbawm in particular, and loved Strachey’s Eminent Victorians so much he named one of my brothers ‘Lytton’. He left behind a library of books about Nasser and Middle East history that none of really know what to do with. Dad was more of a history and non-fiction reader, Mum more fiction. There were some writers they both agreed on though: Lawrence, Hardy, Orwell.
Also, I have to say, in the context of our new release Protest, that this book is effectively my ‘thank you’ to my parents for the extraordinary political education I got from them. I was privileged to grow up in the eye of a whole cluster of political storms. As kids we stood on pickets lines outside coalfields in North Derbyshire and South Yorkshire, took day trips to Greenham, were greatly involved in the 1984 Chesterfield by-election that returned Tony Benn to parliament, marched with the country-long anti-Apartheid march that culminated in the two Free South Africa concerts; and saw a newly freed Mandela address the world at second of these. We were beyond lucky.
As well as being a thank you to them, this book is also a potted journey of protests that Mum, Dad and two grandfathers I never knew were involved in, as well as much earlier ones that I heard mentioned in hushed reverence. Mum and Dad got to know each other on an Aldermaston march; both were linked with the Hornsey sit-in, both were at the anti-Vietnam demo in Grosvenor Square, 1968 – where Dad was wrongly arrested and defended himself in court. My grandfather also marched with Jarrow marchers as they entered London in 1936, and fought against the blackshirts on Cable Street the same year. That’s the thing about this book, it’s not just me, scratch the surface and everybody has a connection to not one, but multitudes of these stories – because it’s our history, not theirs. To quote my friend, Dinesh Allirajah: “It’s political, but it’s always been personal.”

Continue reading Interview | Ra Page, founder, Comma Press | Indie Publisher of the Week

Review | Protest! Stories of Resistance, Ra Page (ed.) | Book of the Week

 “Our own, personal experience of the event – as it unfolded live in front of us – gets over-written, overlain with any narrative available that complies with Thomas Carlisle’s ‘Great Man’ theory, that ‘history is but the biography of great men’, that the rest of us, the ‘bystanders’, aren’t part of history. The short story rejects this version of events because, as a form, it has evolved to prioritise the non-heroes – the bystanders, the disenfranchised, the ‘submerged’ (as Frank O’Connor would say). And when it comes to ‘world events’, none are more suited to the short story than the protest. In a protest, we’re all bystanders, we’re all there because of some attempt to marginalise us; the bystanders are the people making history,” writes Ra Page, editor of Protest! Stories of Resistance.

The workings of the state when it is under threat are not pretty. One man’s system is another man’s nightmare. Protest! takes the long view. From the Peasants’ Revolt sparked by the Poll Tax of 1381 to the anti-Iraq War demo of 2003, the 20 movements featured in this superb book have parallels in terms of ideas and tactics and emotional charge. The framework of the anthology brings to life the events and the people involved. A short story like a snapshot in time is followed by an afterword by an academic who, in certain recent cases, was an eyewitness.

Prior protests loom large over present ones. This struck me forcibly while reading the stories and simultaneously following Westway 23’s facebook posts about the Grenfell Tower Protest in my neighbourhood. It is no coincidence that safe Tory seat, Kensington, went to Labour by a narrow margin for the first time ever in the recent snap election. The gruesome fire has illuminated years of institutionalised abuse and disregard for the law on the part of the corrupt powers-that-be. Establishment standard bearers The Sun, The Daily Mail and The Spectator have been accusing the ‘hard left’ of ‘hijacking’ the Grenfell fire tragedy for their own ends. Plus ça change.

Continue reading Review | Protest! Stories of Resistance, Ra Page (ed.) | Book of the Week

Review | Fathers & Sons, Howard Cunnell

As subdivisions or departments of bigger publishers, imprints break up monolithic companies, give space to individual editors to stamp their list with a defining character and originality, and reassure authors that they are not disappearing into the corporate ether. What defines a Picador book is the author’s voice since the way the story is told is just as important as the story itself. Picador publishes fiction, non-fiction and poetry from all over the world.

“None of us have dads – not Johann or Steve or Ashley or me. None of us have dads and all of us are looking for something. Was there a connection? There had to be. It was Steve who gave me On the Road, and what are Sal and Dean searching for after all if not for their fathers – absent in death and life? If you didn’t have a dad who loved you, or who beat you when he came home drunk, I’m not stupid, then you were always looking for him, or something else . . .” writes Howard Cunnell in Fathers & Sons.

Continue reading Review | Fathers & Sons, Howard Cunnell

BookBlast® Archive | Gael Elton Mayo, Spain Revisited | Harpers & Queen Jan. 1985

Spain is a ‘place apart’ from Italy, France and the other Latin countries, with a very individual character, only partly explained by her language and history. The language contains many Arabic words; the Moors left much of their character in Spain after their defeat; Moorish mosques were converted into Catholic cathedrals; Romany lore is present in the flamenco songs of love which are always sad. But there is also a mystery — in the inhabitants’ pride, dignity and aloofness, and it is this inexplicable element that makes them so fascinating.

A traveller might start their journey into Spain by crossing the French frontier at Le Perthus, after which the first major town would be Gerona, standing out on the hillside, showing the coveted site for which it was so often besieged. Inside the old part of the town the streets are chasms too narrow for the sun to reach. The stranger feels compelled to stroll there, drawn into the core of a city where the Middle Ages seem to live on. “City of a thousand sieges”, it was called, from Iberian and Roman times until later, when its people organised several battalions against Napoleon, including one entirely of women.

Continue reading BookBlast® Archive | Gael Elton Mayo, Spain Revisited | Harpers & Queen Jan. 1985

Interview | Meike Ziervogel | Author of the Week

Novelist and publisher, Meike Ziervogel, came to London in 1986 to study Arabic language and literature, and received a BA and MA from SOAS. She speaks German, English, Arabic and French. She is married and has two children.

Where were you born, and where did you grow up? 
I was born in Kiel in the north of Germany, and I grew up near there, in a small town called Heide on the North Sea coast.

What sorts of books were in your family home? Who were early formative influences?
My mother used to read us the Grimm’s Fairy Tales from a book with beautiful old paintings. I wanted to have hair like Rapunzel.

Why do you write?
Because I enjoy it. Creating stories also allows me to explore and emotionally understand topics and issues I might otherwise find difficult to comprehend.

Continue reading Interview | Meike Ziervogel | Author of the Week

Interview | Jen Hamilton-Emery, Salt Publishing | Indie of the Week

BookBlast™ catches up with Jen Hamilton-Emery, fiction editor and director of independent Salt publishing, based in Cromer, Norfolk.

Are (were) your parents great readers? Tell us a bit about yourself.
Yes, both my parents were (and still are) readers. Every week my mum would take me to the library and a treat was a trip to a bookshop. I’ve always had books in my life.

Did you want to work in the publishing industry from the start?
I’ve always loved books and reading, but working in publishing never entered my head when I was looking at career options. I left school in the early 1980s in Glasgow and knew no-one who had any involvement whatsoever in publishing. There was less of it about in those days!

Has your vision from when you started Salt 18 years ago changed?
No, not really. Our vision was always to publish interesting and brilliant books that were that bit different to the mainstream.  We may have shifted genres from poetry to fiction, but our aims haven’t changed.

Continue reading Interview | Jen Hamilton-Emery, Salt Publishing | Indie of the Week

Review | The Photographer, Meike Ziervogel | Book of the Week

Meike Ziervogel: “As long as you can keep disorder at bay you have control. You can see clearly, you know what step to take next. Albert can’t stand chaos. He used to be able to tolerate it. In fact, when he was young he never made a distinction between order and disorder. Never thought about it. That wasn’t how he perceived the world, neatly divided into two camps, with judgements attached: good or bad. But now he’s convinced, has become convinced over the last years, that chaos is the enemy of the people. Every now and again, for a brief moment, he looks longingly back to a time when he wasn’t so clear-sighted. He knows that this lack of a clear view helped him to take good photographs. He was open to surprise, to being surprised.

Being in a war changes a person for ever. The Photographer is a tale of betrayal, loyalty, sacrifice and survival. The evacuation of East Prussia is pivotal for the family at the centre of the story. By winter 1945, nearly 11 million Germans — mostly women and children — had fled the Eastern provinces of the Reich, heading west. Killings and rapes committed by the Red Army triggered fear and panic amongst the population.

Continue reading Review | The Photographer, Meike Ziervogel | Book of the Week

Interview | Lawrence Scott | Author of the Week

Lawrence Scott is a prize-winning Caribbean novelist and short-story writer from Trinidad & Tobago.

Where were you born, and where did you grow up?
I was born on Petit Morne Estate, a sugarcane estate in southern Trinidad which my father managed for the Usine Sainte Madeleine Sugar Company owned at one time by Tate & Lyle.  I went to primary school in the nearby town of San Fernando.  I went north into the mountains for my secondary school with the Benedictine monks of Mount Saint Benedict. Before leaving Trindad, I had been in a Junior Seminary from the age of 15. I left Trinidad at 19 to go to England to join the Benedictine Abbey at Prinknash in Gloucestershire.

What sorts of books were in your family home? Who were early formative influences?
My father read books like The Ascent of Everest by John Hunt. He had been educated in England at Shrewsbury Public School and was very attached to that story, especially as Hunt was himself from Shropshire.   My mother was educated by nuns in Port of Spain and was a pillar of the Catholic Church; however, she read Graham Greene and loved to discuss the controversies over his writing. She particularly loved Sigrid Undset’s Kristin Lavransdatter. She was aware of the fiction of the 1940’s and 1950’s  and a great storyteller herself.

Continue reading Interview | Lawrence Scott | Author of the Week

Interview | Polly Pattullo, Papillote Press | Indie of the Week

Papillote Press is based in Dominica and publishes fiction and non-fiction, including children’s books, reflecting the island’s rich culture and literary heritage.

Are (were) your parents great readers? Tell us a bit about yourself.
We had books at home but I wouldn’t consider my parents as having been “great readers”.  I remember a long, low bookcase in the sitting room with the Encyclopedia Britannica gathering dust on the bottom shelf. The books were mainly non-fiction — illustrated tomes about art or classical Greece — and Readers’ Digest. I don’t remember my parents reading novels but I do remember some tut-tutting about the trial of Lady Chatterley’s Lover — a book that certainly wouldn’t have been their bedtime reading. We lived in a school —  a boy’s preparatory school — which my headmaster father founded in Richmond after the war (then mainly a place of bedsits and residential hotels) and there was an interest in learning but it wasn’t an intellectual environment. Most of my early childhood seemed to be spent sitting at  the top of the school stairs watching life unfold below me, with small boys lining up outside my father’s study to be admonished (unusually for the time my father disapproved of corporal punishment). Being able to play in the classrooms and in a large garden (climbing trees and playing cricket) during the holidays was a bonus. I went to school in London and then on to Edinburgh University where I studied politics and began to think about things such as class and race and feminism, certainly not part of the domestic discourse.

Did you want to work in the publishing industry from the start?
No — but I did briefly and many years ago work at Heinemann’s in the Rights department where I had to type formulaic letters giving other publishers permission to use extracts from works (Graham Greene novels mostly) for which Heinemann held the rights. A fearsome boss had her office one floor below and an even more intimidating secretary shared my office. I left after one year — and went into journalism where I spent the rest of my working life. I was on the Observer for many years where I was features editor of the Magazine; my last job was on the obituaries desk of the Guardian. I published my first Papillote Press books when I was still at the Guardian.

Continue reading Interview | Polly Pattullo, Papillote Press | Indie of the Week