As subdivisions or departments of bigger publishers, imprints break up monolithic companies, give space to individual editors to stamp their list with a defining character and originality, and reassure authors that they are not disappearing into the corporate ether. What defines a Picador book is the author’s voice since the way the story is told is just as important as the story itself. Picador publishes fiction, non-fiction and poetry from all over the world.
“None of us have dads – not Johann or Steve or Ashley or me. None of us have dads and all of us are looking for something. Was there a connection? There had to be. It was Steve who gave me On the Road, and what are Sal and Dean searching for after all if not for their fathers – absent in death and life? If you didn’t have a dad who loved you, or who beat you when he came home drunk, I’m not stupid, then you were always looking for him, or something else . . .” writes Howard Cunnell in Fathers & Sons.
Continue reading Review | Fathers & Sons, Howard Cunnell
BookBlast™ reviews Witchbroom by Lawrence Scott.
“Here at the window of the turret room, Lavren, at the sill of the Demerara window, Marie Elena behind him on her deathbed telling the last tales before the end of the world as bachac ants attack the rose bushes in Immaculata’s sunken garden, and woodlice eat their way through the pitchpine floorboards, and Josephine sits by the kitchen door shelling pigeon-peas: from this vantage point, Lavren can listen and write and tell the history of the New World.” So begins a hallucinatory Caribbean tale involving the imperialist land-grab, sexual anarchy, abandoned women, religious mania, “the destruction of the Amerindians, the enslavement of Africans and the indentureship of the Indians,” and culminating in self-rule and independence. “People were dreaming in the twilight barrack-rooms, in the kerosene-lit villages for the setting of the imperial sun.”
Lawrence Scott weaves a magical, lush tapestry of words and images, bringing alive local legends and family narratives; and redressing written histories. The impact of the events recounted still resonate in Caribbean society today. A quasi-historical novel, Witchbroom recounts the story of a colonial white enclave on an offshore island through muddled memories. The central narrator repeats what he remembers “from the distracted mind of his muse Marie Elena, and her art of telling stories while they eat Crix biscuits, rat cheese and guava jelly together in the turret room overlooking the Gulf of Sadness.” The stories are bewitching and highly disturbing. The reader surfs a tidal wave of addictive fascination like a Dickensian tricoteuse sitting beside the guillotine in Paris watching heads roll during the public executions of 1793-4.
Continue reading Review | Witchbroom, Lawrence Scott | Book of the Week
An early article, Beauty Victims at Le Palace by Georgia de Chamberet for 3:am magazine (2005) from the BookBlast™ Archive.
During a recent trip to Paris, I mentioned to various French publishers that in the UK, nostalgia for the underground movements of the last thirty years is flourishing. Yet despite the outpouring of books, films, documentaries, compilation CDs and exhibitions like the Vivienne Westwood, it is obvious to me that one side of the London-New York-Paris “golden triangle” has been overlooked. Between artists there is always a cross-fertilisation of ideas, and the effect of the Parisian underground remains influential. Grace Jones learned devices for subversive performance during her time at Fabrice Emaer’s legendary club, Le Palace — the Studio 54 of its day — and Madonna was backup singer and dancer for disco star Patrick Hernandez when his hit “Born To Be Alive” went global.
I argued that people who enjoy reading, and relish the likes of Michael Bracewell, Ben Myers, Jeff Noon and Robert Elms should be given a chance to check out their French counterparts. But I was told by the French publishers that English publishers are not interested in a certain type of French culture, and translation is seen as a risky venture, so to pitch offbeat or outrageous books considered to have limited sales potential would be a waste of time. Bonjour tristesse. From idea to bookstore the reader comes last in a long line of corporate decision-makers, in a game of blind man’s bluff. Continue reading Spotlight | Beauty Victims at Le Palace | 3:AM Magazine 2005
Roberto Bolaño called novelist Alan Pauls from Argentina “one of the best living Latin American writers.” The Past, first published in the UK in Nick Caistor’s English translation, is about obsessive love, addiction and self-destruction, played out against a bewitching backdrop: Buenos Aires. It is a strange, unsettling read.
Protagonist Rimini is good looking and easy going; his partner Sofia is eccentric and strong. Their relationship seems inviolable and eternal to their friends, but “occasionally Rimini faltered. He wavered, ran away from Sofia, and then was enraged at his own weakness.” They split up after twelve years, but Sofia refuses to accept that they are no longer a couple, “two people like us cannot separate”. She writes letters and leaves messages on Rimini’s answering machine, obsessing about the importance of sorting through the hundreds of photos of their time together, but he is scared to look at them, “for fear of being sucked into an emotional whirlpool and drowning in it.” Sofia’s presence becomes ominous like that of a stalker. She clings on as he struggles to let go and make a new life.
Continue reading Review | The Past, Alan Pauls | booktrust.org.uk 2008
‘You doing this for charity?’
‘No, it’s entirely selfish’, I reply, ‘A wish to live, before life passes by’.
Tony Chan – originally Australian, but now living and working in England – composes a poem a day as he treks between the four extreme cardinal points of the British mainland. His walk begins on 3 January, 2015, at the northernmost point, Dunnet Head, continuing on to Ardnamurchan Point and Lowestoft Ness, before ending at Lizard Point on 21 March.
There were times, at bedtime, when my daddy
Told the one lonely tale that he knew best,
The sino-story, Journey to the West,
With its magi heroes, Monk and Monkey.
Here I stand, having chased my father’s voice,
Rock under my feet, waves against the rock,
And waves all through the line of nine o’clock:
At journey’s end, there is only one choice.
Continue reading Review | Four Points Fourteen Lines, Tony Chan | Book of the Week
“I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of ‘interposition’ and ‘nullification’ − one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.” The spirit of Martin Luther King’s “I have a dream” speech made on 28 August, 1963, underpins this captivating and lyrical children’s book, deftly translated from the Italian by Siân Williams. The Oh Freedom! playlist at the end of the book is a natty touch.
Freedom of thought, religious freedom, freedom to live a fulfilled and happy and better life . . . People fleeing from the violations and abuses of tyrannical regimes all around the world dream of it. Oh Freedom! How precious you are! To what lengths will people go, in the hope of starting a better life?
Continue reading Review | Oh, Freedom! Francesco d’Adamo | Book of the Week
Dew Angels is one of the best young adult novels I have read in a long time. It’s not just Melanie Schwapp’s strong, lucid writing; believable, engaging characters; compelling plotlines; and snappy pace, but also how the reader sees the world through fourteen-year-old Nola’s eyes. My ‘inner teenager’ certainly identified with underlying aspects of the story: the need to be loved and to belong; the agonies of first love and heartbreak; the power of anger; to feel comfortable in my skin and at one with the roots of my identity; and, most of all, the need for self acceptance. These are concerns that never completely go away even when one is a so-called ‘adult’ who has – supposedly! – learned how to handle things.
At birth, Nola Chambers is ostracized by her family for having skin “black as a moonless night”, while her siblings have skin “as golden as the retreating sun”. She is obliged by the headmistress of her school to do homework with Dahlia whose mother runs Merlene’s Bar and Grill, known locally for being a den of evil. “There was music coming from the bar. The deep reggae bass seemed to spur on her racing heart as she walked past the red door. A woman in a tight orange mini skirt and tubed top leaned against the jamb, blowing streams of smoke from her nose as she drew on a cigarette.” The gambit works and Nola discovers the meaning of committment, friendship and fun. She also learns that gossip is malicious and fuels prejudice founded on ignorance, fear and envy.
Continue reading Review | Dew Angels, Melanie Schwapp | Hope Road Publishing
“A new literary genre: paranoid fiction. Everyone is a suspect; everyone feels pursued,” Ricardo Piglia (published by Deep Vellum & Duke University Press).
Beef, gauchos and the tango. Eva Perón, military dictatorship and The Disappeared. Maradona, the 1986 World Cup and Thatcher’s last stand for Empire. Such are the answers of friends when asked what images Argentina conjures up in their mind’s eye. To which I would add, bookishly, Jorge Luis Borges, Julio Cortázar and Ernesto Sabato.
Crime novelist Claudia Piñeiro is a welcome discovery. All Yours, A Crack in the Wall, Thursday Night Widows published by Bitter Lemon Press, and now Betty Boo, give an alternative, very contemporary view of Argentina. The abuse of public power for private benefit is increasingly a global problem, manifested in myriad nuanced ways at a local level. Corruption is invariably intrinsic to the way power is exercised. Just recently, the name of Argentina’s new president, Mauricio Macri, appeared in the Panama Papers leaked files. Continue reading Review | Betty Boo, Claudia Piñeiro | Book of the Week
“Alison Brackenbury loves, lives, hymns and rhymes the natural world and its people like no other poet.” Gillian Clarke, National Poet of Wales
Brackenbury’s latest (ninth) collection, Skies, reflects on childhood memory, Christmas in the country and stories from the WW1 passed down by relatives and friends.
“It was the First World War.
Her husband was away.
She knew fear, but also found
new freedom in the day . . .” Continue reading Review | Skies, Alison Brackenbury | Book of the Week
“Lolita was rejected by four American publishers in 1954; published in Paris by The Olympia Press, September 1955; banned by the French government, December 1956; found “not objectionable” by U. S. Customs, February 1957; back on the market in France after Olympia won their case against the government, January 1958; published in the U. S., August 1958; re-banned in France after the government’s successful appeal against the initial judgment, December 1956; published in French in Paris, April 1959; back on the market in France in English when the government cancelled their own ban after having been sued again by Olympia, September 1959.
“THIS EDITION IS THE ORIGINAL, COMPLETE AND UNEXPURGATED PARIS EDITION. IT IS THE ONLY ONE ALLOWED TO BE SOLD IN COUNTRIES OTHER THAN THE U.S.A., U.K. AND COMMONWEALTH.”
So reads the back cover blurb of the April 1959 Olympia Press paperback (3rd printing) edition of Lolita. The novel may have a repugnant, discomfiting aura, but oh! how very beautifully Nabokov writes of warped lust and longing, motel sex and middle-America, as he addresses what could be termed a certain Jungian “shadow” side of male human nature. Lolita is an acknowledged classic, and rightly so. Continue reading Review | Lolita, Vladimir Nabokov | Landmark BookBlasts™