“She knew her love was flecked with revulsion, both from him and from herself – for what she was becoming under the influence, not of his personality exactly, but of her dependence on it. She wouldn’t look too closely: for she couldn’t combat the deadly longing, the sweet need for him.”
Ann St Clair, writer of gothic horrors “created for yearning women,” is an independent and self-sufficient woman until she meets Irishman Robert James, the successful author of Attila. He is “another kind of being” compared to other men. “He loved an audience, a discipleship. Men were drawn to him.” A scholarly force of nature, he makes sweeping intellectual statements at Mr Hughes’ dinner, and also proves to be a great entertainer as a mimic and a ventriloquist. “Politics didn’t matter. Only poetry of philosophy, philosophy of poetry – purity of language which is its beauty.” Ann is mesmerised. They meet again, and soon they are living together in her lodgings.
Continue reading Review | A Man of Genius, Janet Todd | Book of the Week
Where were you born, and where did you grow up?
Born in mid Wales. Grew up in Wales, England, Scotland, Bermuda, Sri Lanka — we moved around a lot! Boarding school in Dolgellau.
What sorts of books were in your family home? Who were early formative influences?
Early years were spent abroad in houses with just a few books already there, usually popular novels by authors like Marguerite Steen, Somerset Maugham and Nevil Shute. I loved the children’s classics especially Alice in Wonderland and often read adult books I couldn’t possibly understand — just for the words. My bent was towards adventure stories like Kidnapped and The Flight of the Heron — that is once I’d passed through Enid Blyton’s The Famous Five. In my teens, being an outsider in each new school I fancied myself as an intellectual and started quite early on reading existentialists like Sartre — understanding very little! Continue reading Interview | Janet Todd | Author of the Week
“A new literary genre: paranoid fiction. Everyone is a suspect; everyone feels pursued,” Ricardo Piglia (published by Deep Vellum & Duke University Press).
Beef, gauchos and the tango. Eva Perón, military dictatorship and The Disappeared. Maradona, the 1986 World Cup and Thatcher’s last stand for Empire. Such are the answers of friends when asked what images Argentina conjures up in their mind’s eye. To which I would add, bookishly, Jorge Luis Borges, Julio Cortázar and Ernesto Sabato.
Crime novelist Claudia Piñeiro is a welcome discovery. All Yours, A Crack in the Wall, Thursday Night Widows published by Bitter Lemon Press, and now Betty Boo, give an alternative, very contemporary view of Argentina. The abuse of public power for private benefit is increasingly a global problem, manifested in myriad nuanced ways at a local level. Corruption is invariably intrinsic to the way power is exercised. Just recently, the name of Argentina’s new president, Mauricio Macri, appeared in the Panama Papers leaked files. Continue reading Review | Betty Boo, Claudia Piñeiro | Book of the Week
Tell us a little bit about yourself.
Woman, writer, mother, honest, curmudgeon.
When you were a child, what did you want to be when you grew up?
My top three careers were: Sociologist, Ecologist, Mathematician. In other words, everything!
What books have had a lasting impact on you?
David Grossman’s To The End Of The Land.
Why do you write?
Because writing is part of who I am. It’s existential. I wouldn’t be who I am if I didn’t write.
Continue reading Interview | Claudia Piñeiro | Author of the Week