The Quartet Years was first published in Fulfilment & Betrayal 1975-1995 by Naim Attallah (Quartet Books).
Gael Elton Mayo & The Magnum Photographic Group
My mother, Gael Elton Mayo, the novelist, painter and ‘Girl Friday’ for Robert Capa, Henri Cartier-Bresson and David Seymour at Magnum Photographers in its early years, was introduced to Naim Attallah by Patrick Seale. Quartet Books published her autobiography, The Mad Mosaic, which sold unexpectedly well and was reprinted, leading to the later publication of her account of surviving cancer for twenty years, Living With Beelzebub.
Quartet was avant-garde, innovative and independent, rather like Canongate today. I was going nowhere fast after leaving university, so was sent by my mother to see Naim Attallah in his plush Poland Street offices. He hired me to work with Quartet’s production director, Gary Grant.
1990s avant garde indie publishing
So one Autumn day in 1987, I turned up at 27 Goodge Street, a Dickensian building in London’s West End. I was greeted at the head of the stairs by an intriguing and enigmatic individual, who disappeared into a small office piled high with books and manuscripts, making a remark as he did so about the bars on his office window and the Birdman of Alcatraz. This was Quartet’s editorial director, Stephen Pickles. His office on the first floor was at the back of the building, next to Gary’s and mine at the front, overlooking Goodge Street. Quartet had a good reputation for publishing lavish, high-quality art and photography books and Gary was an expert at overseeing such projects, when not in the pub across the road. Production was not really my thing, so I began to do occasional odd jobs for Pickles, which rather annoyed Gary. Initially I made telephone calls to Charlotte Rampling, Lothar Schirmer and Joanna Richardson.
Continue reading The Quartet Years, Georgia de Chamberet (2007)
Elton Mayo was born in Australia one hundred years ago this month (on December 26, 1880) and died in a nursing home in Guildford almost sixty-nine years later. Towards the end of his life, through his association with the Harvard Business School and the Hawthorne Studies, he enjoyed a public acclaim granted to few social scientists of his day. None however would have envied him the fall from grace which was to follow his death. By the mid-1950s, the terms ‘Mayoism’ and ‘Mayoite’ were recognised additions to the perjorative vocabulary of social science. In 1946 an overblown account of his work in Fortune compared him to Thorsten Veblen and John Dewey, praising his erudition, rare authority and beneficent influence on labour-management relations. Yet a decade later, in his influential monograph Hawthorne Revisited, Landsberger was obliged to devote a whole chapter to the deficiencies of Mayo, as listed by such critics as Daniel Bell, Reinhard Bendix, John Dunlop, Clark Kerr, C. Wright Mills and Wilbert Moore. Charges of conceptual ineptitude and of theoretical and methodological narrowness formed only part of the indictment: Mayo’s emphasis on industrial collaboration was said to ignore central economic and political issues (notably the functions of trade unions) and to relegate industrial social science to the role of a managerial or ‘cow’-sociology.
Continue reading The Three Faces of Elton Mayo | J H Smith | New Society, December 1980
BookBlast™ was founded in 1997 to give voice to new or neglected writers, and to showcase world writing. The agency was one of the first in the UK to adopt online technology — the company website went live in 2000. It was selected by the curators of Bodleian Electronic Archives and Manuscripts, Bodleian Libraries, Oxford, as being of lasting research value and worthy of permanent preservation in the Web Archive of the Bodleian Libraries in March 2015.
At a young age, I was introduced to writers, stories and imaginary worlds from many lands. To cross cultural boundaries and explore alternate ways of seeing and being is a great gift to give a child.
Sorting through the BookBlast agency archive has thrown up happy and sad memories, not only in terms of the projects and writers I have been lucky enough to collaborate with, but also the visionary commissioning editors who backed untried-and-tested writers and projects.
Continue reading BookBlasts™ from the Past | Empire Windrush
What is BookBlast™?
A brand is your personality, so the saying goes. The agency’s mission has always been to foster diversity across cultures and markets via translation; promote the independent sector looking beyond the mainstream. I am a blasty kind of person and an idealist when it comes to getting original writing and ideas out into the world whichever way possible. BookBlast™ is a reflection of this.
I dreamed up the name for the London-based writing agency founded in 1997. In 2009, we registered the trademark BookBlast™ in both the United Kingdom and the United States of America in Classes 35 and 41 for services relating to promotion, marketing, advertising, writers agency matters, publication of electronic books and the provision of information in relation to books. The first company website went live in 2000. Since which time much of the writing and self-publishing community has been inspired by the concept of BookBlast™ online.
The Founder of BookBlast™
For over twenty-five years − as an editor, agent, book publicist, literary executor and translator − I have cross-pollinated ideas, connected the dots and contributed to making major book projects happen, often against the odds. Since 2005, I have contributed as an occasional writer to words without borders , 3:AM magazine and various publications.
On 5 March 2015, the company website bookblast.com was selected by the curators of Bodleian Electronic Archives and Manuscripts, Bodleian Libraries, Oxford as being of lasting research value and worthy of permanent preservation in their Web Archive.
Continue reading Viva BookBlast™!