Events at Waterstones, Piccadilly, London W1 | Thursday 12 January 19:00 – 20:30 | On the Wilder Shores of Love: the bohemian life of Lesley Blanch

Join us for an evening celebrating Trailblazing Women of the 20th Century @WaterstonesPicc on publication of the Virago paperback of Lesley Blanch’s posthumous memoirs, On The Wilder Shores of Love: A Bohemian Life.

Georgia de Chamberet & Anne Sebba will discuss the bohemian life of Lesley Blanch at Waterstones, Piccadilly, London W1, Thursday 12 January, 7pm.

This event is free, but please reserve your place by email:  piccadilly@waterstones.com

Editor, translator and literary consultant, Georgia de Chamberet founded BookBlast™ writing agency in 1997. She is Lesley Blanch’s god-daughter.

Daily Telegraph: This volume, edited with affection and grace by de Chamberet, is a deliciously readable monument to a writer who combined a steely resilience and capacity for hard work with an elegant frivolity and a voracious appetite for love, beauty and adventure.

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Lesley Blanch and the Art of Narrative Non Fiction

When Lesley Blanch wrote that “Journey into the Mind’s Eye is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category . . .” the label narrative non-fiction did not yet exist. Her autobiography about the early part of her life was published in 1968. She was ahead of her time. Like Rebecca West and Truman Capote, Lesley Blanch was experimenting with different forms and techniques to tell a damn good ‘true’ story.

Lesley Blanch claimed she could not invent, hence choosing biography rather than fiction, although her storytelling was underpinned by a vivid imagination and scholarly research. The Sabres of Paradise: Conquest and Vengeance in the Caucasus took six years to complete and required thorough investigation in Russia and Turkey.

Narrative non-fiction is not just a convenient label used by publishers to help booksellers categorise their titles and display them, or a new genre fresh out of American writing schools for literary critics to argue about. It is favoured by clever young editors like Leo Hollis at Verso, or Richard Milner at Quercus, as a way to get across difficult, or dry, ideas in an engaging manner. People are most interested in other people and their experiences, not the dusty archives of research. To take the reader on a scientific, or philosophical, or historical journey of discovery by means of a series of a well-written scenes knitted together to form a compelling whole, as opposed to recounting how A then B then C happened in a cut-and-dried linear fashion, makes for a more exciting read and a saleable book.

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Joe Boyd | White bicycles #OnWilderShores

Joe Boyd, the record and film producer, whose memoir White Bicycles: Making Music in the Sixties has sold 75,000 copies worldwide, interviewed the late Lesley Blanch for The Guardian in 2005. They shared a love of Bulgarian gypsy music.

He and a panel of guests will discuss The Wilder Shores of Love, Lesley Blanch’s “cult book which pioneered a new approach to history writing,” on BBC Radio 4’s A Good Read, 31 March at 4.30pm.

Here is Joe on YouTube talking about Amoeba Music and some of his favourite albums from the sixties.

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