Tell us a little bit about yourself.
I’ve been painting, drawing and writing , since I was a child, which means that I’ve been doing it for over seventy years. Paints and brushes cost money, so when I was in my early twenties it was cheaper to write, I was first published in a literary magazine aged 22 – The London Magazine – with a short story – Nightworkers.
When you were a child, what did you want to be when you grew up?
See above, I only felt alive when working, still do.
What books have had a lasting impact on you?
Djuna Barnes, Nightwood. Wuthering Heights (I first read it aged 10). War and Peace. Middlemarch. Madame Bovary. The great novels all go on echoing and singing throughout one’s life. Continue reading Author of the Week | Colin Spencer
Writing is a tiring business requiring energy and sustaining snacks. Chekhov had a weakness for oysters, Proust knocked back espressos, Sartre went nuts for halva and H. P. Lovecraft relished spaghetti bolognese smothered in parmesan cheese.
In a postcard sent to Cecil Beaton some time during the 1970s, Lesley Blanch describes her daily life as she is writing the biography of Pierre Loti: “I get up at 7, go on all day til dusk − hardly an eye for the birds, yelling to be fed. I’ve disconnected the telephone, such bliss − don’t go out or see anyone, don’t ever get dressed. Some days restful sluttishness prevails. Djellaba over a nightgown is the only way to work, for me − and no hairdressers + all that tra-la-la. But the appearance suffers − so does the figure. I sit, sit, sit, + eat delicious brown bread with tidal waves of butter.”
Continue reading A writer’s diet, Grub Street eats, and cooking #OnWilderShores