Where were you born, and where did you grow up? I was born in Kiel in the north of Germany, and I grew up near there, in a small town called Heide on the North Sea coast.
What sorts of books were in your family home? Who were early formative influences?
My mother used to read us the Grimm’s Fairy Tales from a book with beautiful old paintings. I wanted to have hair like Rapunzel.
Why do you write? Because I enjoy it. Creating stories also allows me to explore and emotionally understand topics and issues I might otherwise find difficult to comprehend.
“‘What a strange world this is,’ he said to me suddenly when the bus turned into Pulaski Street. ‘Before I’ve even had time to blink, they’re already calling me old, when inside I’m like an unripe fruit’.” – Wioletta Greg, Swallowing Mercury
Invasion, occupation, partition: Poland’s strategic location between Germany and Russia has made it a target throughout history. In 1990, after the fall of Communism, Lech Walesa became Poland’s first popularly-elected president. In 2004, Poland was one of ten new states to join the EU. Britain’s nationalist-minded tabloids make Poles the enemy, taking away jobs and homes. Post-truth politics thrive on ignorance, breeding fear and hate. We have much to thank Poland for – not least Chopin, Copernicus, Marie Curie, Joseph Conrad, Helena Rubinstein … and Häagen-Dazs ice cream!
Britain is part of Europe – like it or not! Border controls do not function when it comes to words since ideas have no borders. Disseminating knowledge and cultural awareness is ever more crucial as prejudice and discrimination make an unwelcome (re)appearance on the Western stage. Books in translation matter more than ever.
As part of the build up to France’s invitation of honour to the Frankfurt Book Fair in October 2017, a series of discussion panels – “triangular talks” – were held last Monday 13 March at the Institut français du Royaume-Uni. Leading book editors from Germany, France and Britain met to discuss fiction, non fiction and what the future holds. Publishers, translators, agents and scouts packed out the library at the IFRU to hear them. Lucie Campos, Head of the French Book Office, chaired the discussions.
“When you’re rooted in yourself, you feel settled wherever you go. I guess to feel good we need to find places to adapt to. Except once we’ve adapted we need to move on, to find a new place to adapt to. But once you’ve adapted to several different places, you no longer have one place where you belong. That’s when the place where you belong becomes the space between those two different places. Moving around and seeing new places — that’s my natural habitat. The truth is I’m a nomad.” So speaks Roberto, train steward on the high-speed Talgo.
Modern society is becoming increasingly rootless and uniformist, as the forces of global capitalism, increased migration and social pluralism influence work, lifestyle and beliefs. Economic migration is spurring rapid social change, leading to ambiguity about identity, sense of place in the world and a cultural dissonance. As governments lose touch with their citizens, they ignore to their peril how groups that are ignored, or ostracised, become desperate, rebellious and take direct action. Humans need to belong to a social group, to be heard, make sense of their identity, and develop a sense of belonging — a sense of purpose. In a shifting world, no wonder social networking on the internet is so huge.
“I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of ‘interposition’ and ‘nullification’ − one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.” The spirit of Martin Luther King’s “I have a dream” speech made on 28 August, 1963, underpins this captivating and lyrical children’s book, deftly translated from the Italian by Siân Williams. The Oh Freedom! playlist at the end of the book is a natty touch.
Freedom of thought, religious freedom, freedom to live a fulfilled and happy and better life . . . People fleeing from the violations and abuses of tyrannical regimes all around the world dream of it. Oh Freedom! How precious you are! To what lengths will people go, in the hope of starting a better life? Continue reading Book of the Week | Oh, Freedom! by Francesco d’Adamo
“Life has always loomed large over us dwarves. Some take to it like a fish to water despite their diminished state and are even happy, while others tramp along the shores of existence like dogs driven wild by urban detritus, licking the sores of their own resentment, tempered by the terrible lash of indifference, as they tumble and stumble toward their tombs.” Goyito, in A Bad End
Historically, midgets often served as jesters, or entertainers in the courts of kings and aristocratic households. Isabella d’Este designed part of her palace for them and remembered two in her will. The paintings of Velázquez record the appearance of dwarves at the court of Philip IV of Spain. In the 18th and 19th centuries Russian tsars and nobles kept innumerable dwarfs; in 1710 a dwarf couple spent their wedding night in the tsar’s bedchamber. American showman P.T. Barnum publicized Charles Stratton (“General Tom Thumb”) in 1842 and he became an international star. Continue reading Book of the Week | A Bad End by Fernando Royuela
In a piece for The Swedish Book Review published in 1997, I stated that, “Roughly 3% of the titles published in the UK every year are translations (as opposed to 30-40% in France and Germany).” It is a puzzling paradox that Britain is such a multi-cultural society yet so insular when it comes to ‘foreign’ writers in translation. Especially since book-buyers just want a good story and are not particularly concerned about its provenance.
Dr Jasmine Donahaye’s 2012 survey Three percent? Publishing data and statistics on translated literature in the United Kingdom and Ireland is unequivocal: “Literary translation in the UK and Ireland – whether assessed according to its broader definition or restricted to the genre categories of poetry, fiction and drama – is a little higher than the often-cited 3% figure. Indeed it is consistently greater than 4%, and, over the sample years, consistently increases.”
She gives the following statistics: “The percentage of all publications that are translations: 2.21% in 2000 ; 2.65% in 2005 ; 2.43% in 2008. “The percentage of poetry, fiction and drama that is translation: 4.37% in 2000 ; 4.51% in 2005 ; 4.59% in 2008. “The percentage of all literary genres (the entire 800 Dewey range) that is translation: 4.17% in 2000 ; 4.20% in 2005 ; 4.37% in 2008.”