Where were you born, and where did you grow up?
I was born in Kiel in the north of Germany, and I grew up near there, in a small town called Heide on the North Sea coast.
What sorts of books were in your family home? Who were early formative influences?
My mother used to read us the Grimm’s Fairy Tales from a book with beautiful old paintings. I wanted to have hair like Rapunzel.
Why do you write?
Because I enjoy it. Creating stories also allows me to explore and emotionally understand topics and issues I might otherwise find difficult to comprehend.
Continue reading Author of the Week | Meike Ziervogel
Are (were) your parents great readers? Tell us a bit about yourself.
Yes, both my parents were (and still are) readers. Every week my mum would take me to the library and a treat was a trip to a bookshop. I’ve always had books in my life.
Did you want to work in the publishing industry from the start?
I’ve always loved books and reading, but working in publishing never entered my head when I was looking at career options. I left school in the early 1980s in Glasgow and knew no-one who had any involvement whatsoever in publishing. There was less of it about in those days!
Has your vision from when you started Salt 18 years ago changed?
No, not really. Our vision was always to publish interesting and brilliant books that were that bit different to the mainstream. We may have shifted genres from poetry to fiction, but our aims haven’t changed.
Continue reading Indie Publisher of the Week | Jen Hamilton-Emery, Salt Publishing
“As long as you can keep disorder at bay you have control. You can see clearly, you know what step to take next. Albert can’t stand chaos. He used to be able to tolerate it. In fact, when he was young he never made a distinction between order and disorder. Never thought about it. That wasn’t how he perceived the world, neatly divided into two camps, with judgements attached: good or bad. But now he’s convinced, has become convinced over the last years, that chaos is the enemy of the people. Every now and again, for a brief moment, he looks longingly back to a time when he wasn’t so clear-sighted. He knows that this lack of a clear view helped him to take good photographs. He was open to surprise, to being surprised.” Being in a war changes a person for ever.
The Photographer is a tale of betrayal, loyalty, sacrifice and survival. The evacuation of East Prussia is pivotal for the family at the centre of the story. By winter 1945, nearly 11 million Germans — mostly women and children — had fled the Eastern provinces of the Reich, heading west. Killings and rapes committed by the Red Army triggered fear and panic amongst the population.
Are (were) your parents great readers? Tell us a bit about yourself.
We had books at home but I wouldn’t consider my parents as having been “great readers”. I remember a long, low bookcase in the sitting room with the Encyclopedia Britannica gathering dust on the bottom shelf. The books were mainly non-fiction — illustrated tomes about art or classical Greece — and Readers’ Digest. I don’t remember my parents reading novels but I do remember some tut-tutting about the trial of Lady Chatterley’s Lover — a book that certainly wouldn’t have been their bedtime reading. We lived in a school — a boy’s preparatory school — which my headmaster father founded in Richmond after the war (then mainly a place of bedsits and residential hotels) and there was an interest in learning but it wasn’t an intellectual environment. Most of my early childhood seemed to be spent sitting at the top of the school stairs watching life unfold below me, with small boys lining up outside my father’s study to be admonished (unusually for the time my father disapproved of corporal punishment). Being able to play in the classrooms and in a large garden (climbing trees and playing cricket) during the holidays was a bonus. I went to school in London and then on to Edinburgh University where I studied politics and began to think about things such as class and race and feminism, certainly not part of the domestic discourse.
Did you want to work in the publishing industry from the start?
No — but I did briefly and many years ago work at Heinemann’s in the Rights department where I had to type formulaic letters giving other publishers permission to use extracts from works (Graham Greene novels mostly) for which Heinemann held the rights. A fearsome boss had her office one floor below and an even more intimidating secretary shared my office. I left after one year — and went into journalism where I spent the rest of my working life. I was on the Observer for many years where I was features editor of the Magazine; my last job was on the obituaries desk of the Guardian. I published my first Papillote Press books when I was still at the Guardian.
Continue reading Indie Publisher of the Week | Polly Pattullo, Papillote Press
“Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge, but to keep going. It is a little like driving a car at night, in winter, on ice, with zero visibility. You have no choice, you cannot go into reverse, you must keep going forward while telling yourself that all will be well when the road becomes more stable and the fog lifts.” So spoke Patrick Modiano − for whom the fog has most certainly lifted − at the Swedish Academy, Stockholm, on 7 December 2014. He is the eleventh French writer to win the Nobel Prize for literature.
A refreshing antithesis to the self-promoting writer blasting forth at every opportunity, Modiano is a private man and remains aloof from the Parisian literati. There is a big difference between writing − intensely personal − and doing a turn in front of a live audience. Writers who feel that the words on the page are the point and everything else − including the web − is a distraction, could well be heartened by Modiano’s words, “A writer – well, a novelist at least – often has an uneasy relationship with speech. Calling to mind the way school lessons distinguish between the written and the oral, a novelist has more talent for written than oral assignments. He is accustomed to keeping quiet, and if he wants to imbibe an atmosphere, he must blend in with the crowd. He listens to conversations without appearing to, and if he steps in it is always in order to ask some discreet questions so as to improve his understanding of the women and men around him. His speech is hesitant because he is used to crossing out his words. It is true that after several redrafts, his style may be crystal clear. But when he takes the floor, he no longer has any means at his disposal to correct his stumbling speech.”
Continue reading BookBlast™ Spotlight | Patrick Modiano: public novelist, private man
As a lobbyist for translation, I occasionally write reader’s reports giving an opinion on French books that have been submitted to a publishing company for consideration. Translations of good non fiction are rare compared to fiction, and fewer grants are available. As its the indies who tend to take risks on new writers-new translations, they have less funds and back up than the majors. So good books often get nowhere — very much the case for Bilal sur la route des clandestins by Fabrizio Gatti which I was commissioned to report on back in 2011. A university press with an endowment could be a possibility? Hence this post . . . The book would need updating of course, easily done. For now it is available in Italian and French so if you can read those languages — buy it!
BILAL SUR LA ROUTE DES CLANDESTINS by Fabrizio Gatti (478pp Liana Levi 2008) Winner of the premio Terzani in 2008
Fabrizio Gatti is a reporter for the Italian weekly, L’Espresso. Human rights defender and campaigner against organised crime, he has undertaken numerous undercover investigations. Ryszard Kapuscinski believed that news is all about political struggle and the search for truth, not profits and ratings as is invariably the case today. Gatti is a kindred spirit. He follows in Kapuscinski’s footsteps with this humane and heartbreaking book. Bilal, on the road with illegal immigrants is literary reportage at its best; an odyssey into the heart of darkness. Gatti is not only an excellent and courageous investigative journalist, but a real writer.
Continue reading Found for Translation | BILAL: On the Road with Illegal Immigrants
Georgia de Chamberet talks to Florent Massot, French publisher of Virginie Despentes, Kurt Cobain, Mike Tyson and Valérie Trierweiler. Baise-moi (Fuck Me), his first hit, published in 1994, sold 50,000 copies for éditions Florent Massot before being released by Grasset and J’ai Lu, nudging up to 200,000 copies.
Why publishing and not music or film?
I started work on my first book age 17 in 1982 about a group called Urban Sax. Why publishing? Because my generation went into music and film, but I’m not competitive, it’s not my way. For 15 years I was the youngest publisher in France and the only one of my generation. Publishers who are 50 now all began their careers 20, not 30, years ago. So for 12-13 years I was alone. My friends were all in music which was great, but I was the only young indie publisher which is why I carried on, since I don’t like having to be combative. I wanted to be the best publisher of my generation and was . . . the worst! . . . there was only me!
I had a go at journalism and published a magazine called Amazone in 1984, then Intox in 1990, but that world moves too fast. I like a slow burn, and am not speedy. In publishing you meet up, the project develops over 1-2 years, it takes time, isn’t fast and furious, all on the surface. A book can really make a difference, go deep, whereas an article is ephemeral.
Publishers are in the game for different reasons: for some it’s a love of words, for others because they want power. What interested me was to meet the movers and shakers. A friend said, “If you go into publishing you’ll meet the people making it happen, who are the zeitgeist.” He often spoke to Cartier Bresson on the phone because of a book he was working on about the great photographers behind photojournalism. I wanted to meet these people. Since then, over the last 32 years, I have met so many people from different walks of life, that publishing has been good to me on that level.
As an object, a book can be a bit fetishistic. For me it is neither the object, nor the words, but the encounters. A book is a meeting place for people and ideas.
Continue reading The BookBlast™ Interview | Florent Massot, fine young radical of French publishing
Writing is a tiring business requiring energy and sustaining snacks. Chekhov had a weakness for oysters, Proust knocked back espressos, Sartre went nuts for halva and H. P. Lovecraft relished spaghetti bolognese smothered in parmesan cheese.
In a postcard sent to Cecil Beaton some time during the 1970s, Lesley Blanch describes her daily life as she is writing the biography of Pierre Loti: “I get up at 7, go on all day til dusk − hardly an eye for the birds, yelling to be fed. I’ve disconnected the telephone, such bliss − don’t go out or see anyone, don’t ever get dressed. Some days restful sluttishness prevails. Djellaba over a nightgown is the only way to work, for me − and no hairdressers + all that tra-la-la. But the appearance suffers − so does the figure. I sit, sit, sit, + eat delicious brown bread with tidal waves of butter.”
Continue reading A writer’s diet, Grub Street eats, and cooking #OnWilderShores
The literary blogosphere is pullulating with writing and opinions on every imaginable subject, era, or school of writing; writers promoting books; readers offering an opinion or amateur reviews; and comment by informed book critics. Here are a few favourites . . .
– blogs for Francophiles
Paris Diary by Laure is ‘a very personal and subjective view of Paris life, like a morning phone call to my best friend’.
The Paris Review was founded in Paris by George Plimpton and friends in 1953 to introduce important writers of the day. The blog is great for readers wanting a shot of culture, but are short on time to read in depth.
Gallic Books publish some of the best French writing available in English translation. Publisher, Jane Aitken, was interviewed exclusively for The BookBlast Diary in November 2016.
– blogs for design aficionados
Browns Editions offer a design feast for the eyes and über-chic ideas.
Thames & Hudson has been an independent, family-owned company since it was founded in 1949 and its World of Art series of books is especially well known.
For that stylish LA look, you couldn’t do better than Mallery Roberts Morgan – a Los Angeles-based writer, curator and interior designer; and the Los Angeles correspondent of Architectural Digest France.
– blogs offering informed opinions
The Times Literary Supplement’s blog about books and ideas is a must-read regular.
Andrew Gallix is editor-in-chief of 3:AM Magazine, credited by The Guardian as being the first literary blog ever. He writes fiction and criticism, edits books, and teaches at the Sorbonne.
Maria Popova’s brain-pickings is a treasure trove of the heteroclite and the offbeat; an inspiring resource for browsing and sharing.
Continue reading BookBlast™ on the blogosphere