Proust’s Questionnaire | Lesley Blanch

Lesley Blanch (1904-2007) influenced and inspired generations of writers, readers and critics. Her lifelong passion was for Russia, the Balkans and the Middle East. At heart a nomad, she spent the greater part of her life travelling about those remote areas her books record so vividly.
She left England in 1946, never to return, except as a visitor. Her marriage to Romain Gary, the French novelist and diplomat, afforded her many years of happy wanderings. After their divorce, in 1963, Blanch was seldom at her Paris home longer than to repack.
Her posthumous memoirs On the Wilder Shores of Love: A Bohemian Life are published by Virago, Little Brown.

Where would you like to live?
It must be a warm country. If I really want to be coldly factual I must try to live where I can be looked after, but that’s a very dull answer only come on me now when I’m approaching one hundred. I should like to live in the Levant, somewhere in a Moslem country; the Moslems respect age. I loved Afghanistan passionately, but not the way it is now. I read, over and over again, the place names, just to get back there.

What is your idea of happiness on earth?
I want a garden and animal companionship and music.

What faults do you find most forgivable?
Temper. Rudeness. I forgive them very quickly. I don’t bear much malice because I’m too bored with it. Continue reading Proust’s Questionnaire | Lesley Blanch

Authors’ Club Lunch #bookblast

Tuesday 15 September, 12.30 for 1pm, Lady Violet Room,
National Liberal Club, London SW1 2HE

The Authors’ Club is delighted to welcome Georgia de Chamberet to open its autumn season of events with a discussion of On the Wilder Shores of Love: A Bohemian Life, a collection of autobiographical writings by her godmother, the travel writer Lesley Blanch.

 ‘It’s a wonderful read and deserves its place in our Valentine’s window’ − Waterstone’s Piccadilly  
‘ Lesley Blanch was incapable of writing boringly or badly’ − The Spectator

Lesley Blanch was a scholarly romantic with a lifelong passion for Russia, the Balkans and the Middle East. Born in 1904, she died aged 103, having experienced times as both a household name and as a mysterious, neglected living legend. Blanch was writing about her erratic Edwardian childhood at her death and that work, never before published, now forms the beginning of this wonderful memoir.

Edited by her goddaughter Georgia de Chamberet, who was working with her in her centenary year, this book collects together the story of Blanch’s marriage; a selection of her journalism, which brings to life the artistic melting pot of London between the wars; and a selection of her most evocative travel pieces. The book thus conveys the story of a fascinating, bohemian – and at times outrageous – life that spanned the entire 20th century.
 
Georgia de Chamberet was born in Paris to an eccentric father and an artistic mother. As an editor at Quartet Books in the 1990s she published contemporary writers Tahar Ben Jelloun, Annie Ernaux, Juan Carlos Onetti, Daniel Pennac and Simon Leys (winner of the 1992 Independent Award for Foreign Fiction). She went on to found the London-based literary agency BookBlast in 1997, and to edit XCiTés: the Flamingo Book of New French Writing (1999). She has recently returned from travelling in Mongolia.

@AuthorsClub @sunnysingh_nw3 @SchulerCJ @Emily_BookPR 

The charge for the two-course lunch (main course, sweet and coffee) and a glass of club wine is £28.50 per person.

To book, phone 020 7930 9871 or email secretary@nlc.org.uk. Payment can be made by cheque, bank transfer or debit card. To avoid disappointment, please book no later than Friday 11 September

Lesley Blanch and the Art of Narrative Non Fiction

When Lesley Blanch wrote that “Journey into the Mind’s Eye is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category . . .” the label narrative non-fiction did not yet exist. Her autobiography about the early part of her life was published in 1968. She was ahead of her time. Like Rebecca West and Truman Capote, Lesley Blanch was experimenting with different forms and techniques to tell a damn good ‘true’ story.

Lesley Blanch claimed she could not invent, hence choosing biography rather than fiction, although her storytelling was underpinned by a vivid imagination and scholarly research. The Sabres of Paradise: Conquest and Vengeance in the Caucasus took six years to complete and required thorough investigation in Russia and Turkey.

Narrative non-fiction is not just a convenient label used by publishers to help booksellers categorise their titles and display them, or a new genre fresh out of American writing schools for literary critics to argue about. It is favoured by clever young editors like Leo Hollis at Verso, or Richard Milner at Quercus, as a way to get across difficult, or dry, ideas in an engaging manner. People are most interested in other people and their experiences, not the dusty archives of research. To take the reader on a scientific, or philosophical, or historical journey of discovery by means of a series of a well-written scenes knitted together to form a compelling whole, as opposed to recounting how A then B then C happened in a cut-and-dried linear fashion, makes for a more exciting read and a saleable book.

Continue reading Lesley Blanch and the Art of Narrative Non Fiction