This selection of Lesley Blanch’s early journalism and travelling tales edited by Georgia de Chamberet forms a captivating sequel to On the Wilder Shores of Love:A Bohemian Life (Virago, 2015; PB 2017).
Savvy, self-possessed, talented and successful, Lesley Blanch was a bold and daring writer, travelling at a time when women were expected to stay at home and be subservient to the needs of husbands and children. She was an inspiration to a generation of women – Marianne Faithfull and Shirley Conran among them. This selection of her writings brims with her customary wit and sheds new light on an eternally fascinating – and truly inimitable – character.
Illustrated with photos and Blanch’s theatre portfolio from her time working with Russian émigré director/producer, Theodore Komisarjevsky; and featuring an insightful introduction. Far To Go and Many To Love brings together writings on subjects as various as Vivien Leigh, polygamy, the Orient Express and Afghanistan.
Praise for On the Wilder Shores of Love… ‘Sumptuous and captivating’ – Independent ‘This is a truly remarkable book’ – Daily Telegraph
Lesley Blanch MBE was born in London in 1904. She spent the greater part of her life travelling, to Russia, Central Asia and the Middle East. She published 12 books in her lifetime and was a prolific journalist. She died in 2007 at the age of 103. website: www.lesleyblanch.com twitter: @lesleyblanch
In these unsettled, divided times in which segregation and racism are making an unwelcome comeback, positive historical reminders of tolerance and kindness are to be celebrated and shared.
The exhibition, Giles: Friendship in a time of war, curated by social historian David Cain, tells of the British cartoonist’s all-but-forgotten friendship with two African-American GIs, Butch and Ike, based near his Suffolk home during World War Two.
In the early 1940s, Giles lived with his wife, Joan, in Badger’s Cottage in Tuddenham St. Martin. He befriended several men serving with 923rd Engineer Aviation Regiment based at nearby RAF Debach. He often welcomed Butch and Ike at his home for drinks. Giles loved Jazz and their musical evenings frequently spilled over into the local village pub.
Join us for an evening celebrating Trailblazing Women of the 20th Century @WaterstonesPicc on publication of the Virago paperback of Lesley Blanch’s posthumous memoirs, On The Wilder Shores of Love: A Bohemian Life.
Georgia de Chamberet & Anne Sebba will discuss the bohemian life of Lesley Blanch at Waterstones, Piccadilly, London W1, Thursday 12 January, 7pm.
This event is free, but please reserve your place by email: firstname.lastname@example.org
Editor, translator and literary consultant, Georgia de Chamberet founded BookBlast™ writing agency in 1997. She is Lesley Blanch’s god-daughter.
Daily Telegraph: This volume, edited with affection and grace by de Chamberet, is a deliciously readable monument to a writer who combined a steely resilience and capacity for hard work with an elegant frivolity and a voracious appetite for love, beauty and adventure.
Arkhan Valley Our Toyota 4×4 lurched and dodged between the trees. Nyam Bileg seemed to be winning at an Olympian task. At one point he drove at a perilous angle along the edge of a dry gully.
When I’d arrived in Ulaanbaatar, Oyuna handed me a blue dael – the traditional three-quarter length cotton, silk or wool gown worn by men and women. Serving as a coat, robe or a dress, for every day or ceremonial occasions, it buttons beneath the right arm and at the right shoulder to a high, round collar. It is convenient for riding, travel and extremes of temperature. When cinched at the waist, a pocket of material is formed for carrying personal items. She told me I would find it useful. Now I was beginning to understand why. It offered a handy way of being private when peeing out in the wilds.
One last stop and we’d be home and dry, or so I thought, as I closed my dael and wound my way back to the 4×4 through cow parsley and gorse bushes. A large puddle turned out to be a stream flooding across the forest track. The front wheels jammed in tight, and the back wheels spun deep into the mud. We watched Oyuntsetseg, Ider Od and their companions disappear down the hill in their resilient little Russian-built UAZ van. Their driver, Tulga, was a Dayan Deerkh man, so he knew the lie of the land. Some 3 hours later, the Toyota was pulled out by a tractor.
The Call of the Wild When the Siberian and Chinese tectonic plates pushed up against each other, Mongolia was formed: a great landlocked highland plateau − sandwiched between Russia and China. No wonder the fierce warriors of the 13th and 14th century Mongol Empire who were masters at the art of war are still the stuff of legend.
I was told that sections of the Great Wall of China were built to keep the Mongolians out. This toughness, combined with an equally powerful shamanic spirituality dating back to Chinggis Khan and the Mongol Hordes – intertwined later with Buddhism from Tibet – and a continued adherence to centuries-old customs and traditions, are a seductive combination.
Mongolians live in two worlds: that of the senses, the observable, the scientific; and on a metaphysical and spiritual level − the unseen world of spirits and magic.
“‘We few, we happy few, are gathered here, the descendants of Chinggis Khan’s golden lineage. We, the scions of his personal guard, the Hishigten Army . . . ‘ Shaman Dulaan Boshgot paused, his granite-like eyes narrowing as he looked into the distance towards the ruins of Kharakorum, the once great capital lying in the vast Orkhon Valley of Central Mongolia. A sea of green velvety grassland was bathed in the golden rays of the rising sun. A smell of earth and horse sweat enveloped him. Behind him, he could hear his white stallion pawing at the stony steppe.”
So begins The Green-Eyed Lama: Love and Betrayal in Mongolia by Oyungerel Tsedevdamba and Jeffrey L. Falt. It is an epic work of historical fiction which brings alive the nomadic Mongol way of life.
“Why this promotion leading up to the London Book Fair in April?” asked one publisher as she merrily jumped on to BookBlast’s celebratory bandwagon. Why indeed? Even the smallest publisher now has a website and a vital presence on social media, however visibility remains an issue.
SO MUCH is published! How can avid book readers, students on publishing courses, Media researchers and stumble-upon book browsers find the good stuff amidst the avalanche of words available online and piled high on bookshop tables? To separate the wheat from the chaff is becoming ever more essential. The need for well-informed curated recommendations is growing and growing . . .
When I first came into publishing in the late 1980s, commissioning editors held sway (as they still do at houses such as Gallimard across the Channel). They were respected for their knowledge and idiosyncratic flair in spotting potential new talent, much as a wine expert can identify a promising wine. Now it is the sales and marketing teams that hold sway in the ivory towers of corporate publishing. They follow trends, play with pie charts and algorithms, and pray daily at the hallowed altar of The Market. Of course there are still superb editors at the corporates − they are remarkably adept at surviving with steely determination in an environment which commodifies and monetises creativity remorselessly. It is a different mindset.Continue reading BookBlast celebrates independent publishing | Georgia de Chamberet on why independence matters
The stereotypical view of the fifties woman is reflected in vintage postcards on sale at stalls in Portobello Market, featuring colourful ads for hoovers, OMO, ‘Empire’ baby pants, or Kenwood chef food processors alongside an immaculately dressed housewife with perfect hair and varnished nails beaming a pillarbox-red lipsticked smile as she does the chores.
Rachel Cooke’s book, Her Brilliant Career: Ten Extraordinary Women of the Fifties, flies in the face of the clichéd view of the fifties housewife stuck at home ― an appendage to her husband. It may have been the case in American suburbia of the time, but in Britain women had got through the war without their husbands, brothers or fathers. Some had joined the ATS, or WAAF, or WRNS and drove ambulances, or worked in a government ministry. Others ended up at Bletchley Park. When Elisa Segrave came upon her late mother’s diaries, she discovered that her mother had excelled at her work as an indexer in Hut 3, then in Hut 3N, at Bletchley Park, from 1941-43; and was promoted to 4th Naval Duty Officer during Operation Torch, the Allied Invasion of North Africa. She had several jobs in Bomber Command and later saw its effects in the ruined towns of Germany where she had her last job in the WAAF. On her days off she travelled in a weapon carrier with her American boyfriend. The Girl From Station X is an illuminating read.
The war had a liberating effect: women were hardly about to exchange their newfound freedom in peacetime for baking cakes and a life cushioned by nappies. Cooke stressed how the old and the new were pulling against each other in fifties Britain, which was on the cusp of modernity ― heralding the sixties. Women were expected to settle down, marry and have kids, yet having had a taste of freedom, they wanted to do their own thing and be independent. The way women today juggle home and career and feel guilty about it was not the case then, when women just went for it and did not consider the consequences. The term ‘latchkey kid’ dates from the fifties.Continue reading #OnWilderShores @AuthorsClub lunch with @MsRachelCooke and the Fifties Woman
The book has become a luxury item, production is costly, and then there is Amazon which has radically changed the publishing landscape. A prize, a gift, a gorgeous object: the book has an irresistible allure. Publishers have learned that it is well worth sending their writers on tour around the country to promote their work and engage with readers at live events.
While the bigger book festivals like Hay, Cheltenham or Oxford have something of a showbiz atmosphere, with audiences queuing to see their favourite ‘celebrity’ author, the smaller festivals like Bridport are more ‘real’ and benefit readers who can get more from an intimate event.
It is rare for a single book let alone a translation to generate widespread excitement across the publishing industry. Joel Dicker’s thriller, The Truth About the Harry Quebert Affair, published in 2012 by 87-year-old veteran, Bernard de Fallois, became the most talked-about French novel of the decade. Christopher MacLehose, the publisher behind Stieg Larsson, made an offer a few weeks before the Frankfurt book fair − pre-empting a stampede of publishers bidding for the rights to translate the novel into 35 other languages. Novels by Norwegian author Karl Ove Knausgaard and Turkish Wunderkind, Orhan Pamuk − agented by Andrew ‘the Jackal’ Wylie − are likely to be hot properties at this year’s Frankfurt book fair. And Scandi-Crime continues to be hugely popular.
Translators and their publishers are a bridge between worlds . . . between writers abroad and readers at home. Judging by the throng of professionals attending International Translation Day 2015 held at the British Library − the waiting list to get in was long and many were turned away – translation continues to be The Next Big Thing & Getting Bigger, as it rises in popularity and visibility. The insularity of certain mainstream sectors of the book trade come across as increasingly old-skool elitist like politicians quaffing Dom Perignon in the Westminster bar.