Britain is part of Europe – like it or not! Border controls do not function when it comes to words since ideas have no borders. Disseminating knowledge and cultural awareness is ever more crucial as prejudice and discrimination make an unwelcome (re)appearance on the Western stage. Books in translation matter more than ever.
As part of the build up to France’s invitation of honour to the Frankfurt Book Fair in October 2017, a series of discussion panels – “triangular talks” – were held last Monday 13 March at the Institut français du Royaume-Uni. Leading book editors from Germany, France and Britain met to discuss fiction, non fiction and what the future holds. Publishers, translators, agents and scouts packed out the library at the IFRU to hear them. Lucie Campos, Head of the French Book Office, chaired the discussions.
Continue reading What do book editors want? | A Triple Entente @ifru_london @LondonBookFair
Established in 1983, Dedalus is a truly unique publishing house which is recognised for its quality and unorthodox taste in the esoteric, the erotic and the European. The press’s founder and MD, Eric Lane, is unashamedly intellectual. His tenacity and vision have kept Dedalus going through the lean times, and helped it to flourish during the good. Dedalus had two books on the Booker Prize longlist in 1995: Exquisite Corpse by Robert Irwin and Memoirs of a Gnostic Dwarf by David Madsen. The complete list of Dedalus prizewinners is at dedalus.com
Are (were) your parents great readers? Tell us a bit about yourself.
No, neither of my parents were great readers. My mother grew up on a farm in southern Italy and my father in an orphanage in Surrey. They met at the end of WW2 when my teenaged mother accompanied a friend who went for a job at the RAF base in Naples. My father was doing the interviewing and offered the friend a job and also one to my mother who refused. As they were leaving my father said to his colleague, I’m going to marry that one – meaning my mother – which he did, in February 1946. My mother was nearly 20 and my father 25. My sister was born in November 1947 and I followed in September 1949. We lived in Finchley which my mother loved. We used to go every few years to Italy. In the end my mother used to speak to everyone in Italy in English with the odd word of Italian whereas my father spoke to everyone in fluent Neapolitan. My parents were very happily married for 25 years until my father died of a heart attack in 1971.Growing up I was a voracious reader but also loved sport, especially football.I was a very spontaneous child and often got in trouble at school for being ‘cheeky’.
Continue reading The BookBlast Interview | Eric Lane, publisher | Dedalus Books @dedalusbooks
The A to Z of Literary Translation by Georgia de Chamberet was posted on the Words without Borders blog in instalments from February to May 2008. It was circulated at the Masters Class in Translation Studies which Alane Mason (W.W. Norton) and Dedi Felman (Simon & Schuster) team taught in at Columbia University in the City of New York in 2008. Founded in 2003, Words without Borders is a superb site which promotes cultural understanding through the translation, publication, and promotion of the finest contemporary international literature.
I contributed to the @wwborders blog from 2005-2009. Whilst writing about English PEN’s Writers in Translation committee of which I was a founder member—tapping into my experiences as an editor, agent and publicist—the idea of doing a fun, but far from definitive listing, The A to Z of Literary Translation came to mind.
Artistry and adaptation are essential to the process of literary translation, since translation is an act of writing. Also accuracy and avoiding short cuts based on the when in doubt, cut it out approach. Writers make good translators—obvious examples being Baudelaire (translator of Edgar Allen Poe) and Robert Graves (translator of classical Latin and Greek authors and George Sand).
Beyond words into the mystery of language, and its cultural hinterland, is where a good translator will carry the reader on a journey of discovery. Good literature is primarily concerned with human beings, and is cosmopolitan, traveling beyond national identity and a book’s original social and cultural context—the same goes for a good translation.
Continue reading The A to Z of Literary Translation | first published 2008 by Words without Borders
Ebury Street in London’s Belgravia: a quiet, residential, affluent area. The perfect place for a bookshop where readers can enjoy peaceful browsing away from the madding crowd, and dip into some of the best French writing available in English translation. However the Belgravia Books Collective is not just a shop, but also the home of independent publishing success story, Gallic Books. It has been very much on my radar and, at last, I am going to talk to one of the founders.
Jane Aitken and Pilar Webb met when they were both working at Random House children’s, and they went on to co-found Gallic Books in 2006. Headliners Muriel Barbery (trs. Alison Anderson), Antoine Laurain (trs. Emily Boyce & Jane Aitken), Michel Déon (trs. Julian Evans) and Yasmina Khadra (trs. Howard Curtis), have an enthusiastic following among discerning British readers who relish a good, well-written read from foreign shores.
Continue reading The BookBlast Interview | Jane Aitken, publisher | Gallic & Aardvark @BelgraviaB
“Since my earliest childhood the notion of individual freedom had been deeply rooted in me. Everything I saw or felt as I was growing up turned into a passion — a passion I shared with millions of contemporary Frenchmen, although my own brand drew me toward a form of individualist anarchy while the others usually went toward practical communism or socialism. I resented and hated l’ésprit bourgeois in all its manifestations, but I also distrusted all forms of human association.” So writes Maurice Girodias in his introduction to The Olympia Reader, Grove Press, 1965.
Maurice Girodias, purveyor of some of the best erotic writing ever published which united the obscene and the beautiful, was the son of a French mother and Jewish father from Manchester, “a silver spoonfed infant and a very poor orphan.” Jack Kahane came to Paris in the 1930s and set up the Obelisk Press to publish books in English which, thanks to a loophole in French law, could not be printed in America or England because of censorship. He published Henry Miller’s Tropic of Cancer in 1934, Anais Nin, Cyril Connolly, a fragment of Joyce’s work in progress, Haveth Childers Everywhere, as a limited edition. The Young and the Evil (1933) by Charles Henri-Ford and Parker Tyler depicted gay life in Harlem and Greenwich and men earning their living there — Djuna Barnes and Gertrude Stein praised it to the skies. Continue reading Book Blasts from the past | Indie publishers remembered | Maurice Girodias & Olympia Press
“Lolita was rejected by four American publishers in 1954; published in Paris by The Olympia Press, September 1955; banned by the French government, December 1956; found “not objectionable” by U. S. Customs, February 1957; back on the market in France after Olympia won their case against the government, January 1958; published in the U. S., August 1958; re-banned in France after the government’s successful appeal against the initial judgment, December 1956; published in French in Paris, April 1959; back on the market in France in English when the government cancelled their own ban after having been sued again by Olympia, September 1959.
“THIS EDITION IS THE ORIGINAL, COMPLETE AND UNEXPURGATED PARIS EDITION. IT IS THE ONLY ONE ALLOWED TO BE SOLD IN COUNTRIES OTHER THAN THE U.S.A., U.K. AND COMMONWEALTH.”
So reads the back cover blurb of the April 1959 Olympia Press paperback (3rd printing) edition of Lolita. The novel may have a repugnant, discomfiting aura, but oh! how very beautifully Nabokov writes of warped lust and longing, motel sex and middle-America, as he addresses what could be termed a certain Jungian “shadow” side of male human nature. Lolita is an acknowledged classic, and rightly so. Continue reading Book Blasts from the past | Landmark books remembered | Lolita
“Why this promotion leading up to the London Book Fair in April?” asked one publisher as she merrily jumped on to BookBlast’s celebratory bandwagon. Why indeed? Even the smallest publisher now has a website and a vital presence on social media, however visibility remains an issue.
SO MUCH is published! How can avid book readers, students on publishing courses, Media researchers and stumble-upon book browsers find the good stuff amidst the avalanche of words available online and piled high on bookshop tables? To separate the wheat from the chaff is becoming ever more essential. The need for well-informed curated recommendations is growing and growing . . .
When I first came into publishing in the late 1980s, commissioning editors held sway (as they still do at houses such as Gallimard across the Channel). They were respected for their knowledge and idiosyncratic flair in spotting potential new talent, much as a wine expert can identify a promising wine. Now it is the sales and marketing teams that hold sway in the ivory towers of corporate publishing. They follow trends, play with pie charts and algorithms, and pray daily at the hallowed altar of The Market. Of course there are still superb editors at the corporates − they are remarkably adept at surviving with steely determination in an environment which commodifies and monetises creativity remorselessly. It is a different mindset. Continue reading BookBlast celebrates independent publishing | Georgia de Chamberet on why independence matters
Russia: friend or frenemy? The Ukrainian crisis and Russia’s direct military involvement in the Syrian Civil War are generally reported with an anti-Russian bias. Britain’s phobia has its roots in the 19th century and fear of Russia’s rising power. Today, still, Russia asserting its national interests is presented as an act of blatant aggression. A Cold War mentality lives on. Yet Western militaristic aggression in Afghanistan, Iraq, Syria and Libya are portrayed as noble moral endeavours, bringing democracy to the unenlightened.
Colin Thubron opens Among the Russians (Picador 1995) with the words: “I had been afraid of Russia ever since I could remember. When I was a boy its mass dominated the map which covered the classroom wall; it was tinted a wan green, I recall, and was distorted by Mercator’s projection so that its tundras suffocated half the world.” Continue reading The Russians are Coming? They’re already here! #RussianLiterature
BookBlast was founded in 1997 to give voice to new or neglected writers, and to showcase world writing. The agency was one of the first in the UK to adopt online technology — the company website went live in 2000. It was selected by the curators of Bodleian Electronic Archives and Manuscripts, Bodleian Libraries, Oxford, as being of lasting research value and worthy of permanent preservation in the Web Archive of the Bodleian Libraries in March 2015.
At a young age, I was introduced to writers, stories and imaginary worlds from many lands. To cross cultural boundaries and explore alternate ways of seeing and being is a great gift to give a child.
Sorting through the BookBlast agency archive has thrown up happy and sad memories, not only in terms of the projects and writers I have been lucky enough to collaborate with, but also the visionary commissioning editors who backed untried-and-tested writers and projects.
Continue reading Book Blasts from the Archive | Empire Windrush
It is rare for a single book let alone a translation to generate widespread excitement across the publishing industry. Joel Dicker’s thriller, The Truth About the Harry Quebert Affair, published in 2012 by 87-year-old veteran, Bernard de Fallois, became the most talked-about French novel of the decade. Christopher MacLehose, the publisher behind Stieg Larsson, made an offer a few weeks before the Frankfurt book fair − pre-empting a stampede of publishers bidding for the rights to translate the novel into 35 other languages. Novels by Norwegian author Karl Ove Knausgaard and Turkish Wunderkind, Orhan Pamuk − agented by Andrew ‘the Jackal’ Wylie − are likely to be hot properties at this year’s Frankfurt book fair. And Scandi-Crime continues to be hugely popular.
Translators and their publishers are a bridge between worlds . . . between writers abroad and readers at home. Judging by the throng of professionals attending International Translation Day 2015 held at the British Library − the waiting list to get in was long and many were turned away – translation continues to be The Next Big Thing & Getting Bigger, as it rises in popularity and visibility. The insularity of certain mainstream sectors of the book trade come across as increasingly old-skool elitist like politicians quaffing Dom Perignon in the Westminster bar.
Continue reading International #translation Day 2015 @britishlibrary @FreeWordCentre @englishpen