Indie Publisher of the Week | Polly Pattullo, Papillote Press

Are (were) your parents great readers? Tell us a bit about yourself.
We had books at home but I wouldn’t consider my parents as having been “great readers”.  I remember a long, low bookcase in the sitting room with the Encyclopedia Britannica gathering dust on the bottom shelf. The books were mainly non-fiction — illustrated tomes about art or classical Greece — and Readers’ Digest. I don’t remember my parents reading novels but I do remember some tut-tutting about the trial of Lady Chatterley’s Lover — a book that certainly wouldn’t have been their bedtime reading. We lived in a school —  a boy’s preparatory school — which my headmaster father founded in Richmond after the war (then mainly a place of bedsits and residential hotels) and there was an interest in learning but it wasn’t an intellectual environment. Most of my early childhood seemed to be spent sitting at  the top of the school stairs watching life unfold below me, with small boys lining up outside my father’s study to be admonished (unusually for the time my father disapproved of corporal punishment). Being able to play in the classrooms and in a large garden (climbing trees and playing cricket) during the holidays was a bonus. I went to school in London and then on to Edinburgh University where I studied politics and began to think about things such as class and race and feminism, certainly not part of the domestic discourse.

Did you want to work in the publishing industry from the start?
No — but I did briefly and many years ago work at Heinemann’s in the Rights department where I had to type formulaic letters giving other publishers permission to use extracts from works (Graham Greene novels mostly) for which Heinemann held the rights. A fearsome boss had her office one floor below and an even more intimidating secretary shared my office. I left after one year — and went into journalism where I spent the rest of my working life. I was on the Observer for many years where I was features editor of the Magazine; my last job was on the obituaries desk of the Guardian. I published my first Papillote Press books when I was still at the Guardian.

Continue reading Indie Publisher of the Week | Polly Pattullo, Papillote Press

The BookBlast™ Review | Writers, Lovers, Soldiers, Spies: A History of the Authors’ Club of London 1891-2016 by C. J. Schüler

The history of the Authors’ Club is studded with famous names: Arthur Conan Doyle, Thomas Hardy, Rider Haggard, Ford Madox Ford, Graham Greene. Yet in the course of writing this history, I have learned that life, the culture, and often the very survival of the club have depended on others who are not so well remembered today. A healthy literary culture is not sustained by a handful of greats alone; it requires a significant number of dedicated, skilful practitioners who may not achieve critical accolade or vast commercial success yet persist in writing worthwhile, interesting books.” C J Schüler

The Authors’ Club

Founded in July 1891, the aim being to “advance the cause of Letters”, the Authors’ Club was originally the social arm of the Society of Authors; admitting journalists, editors, men of science, dramatists and academics, and not only the writers of books. “While many clubs, hitchens le gallienne bookblastincluding the Athenaeum and the Savile, had a number of literary figures among their numbers, none was specifically aimed at them. For an example of what he was trying to achieve, Walter Besant had to look across the Atlantic to New York, where an Authors’ Club had been founded in 1882, and included Mark Twain, Theodore Roosevelt and Andrew Carnegie among its members.” The Copyright act had just been passed, allowing British authors to receive royalties on American sales of their work. At the club’s inaugural dinner, Oscar Wilde raged at the Lord Chamberlain’s inspector censoring his new play, Salomé, with Sarah Bernhardt in the lead role.

Continue reading The BookBlast™ Review | Writers, Lovers, Soldiers, Spies: A History of the Authors’ Club of London 1891-2016 by C. J. Schüler

The Quartet Years | published in Fulfilment & Betrayal (2007) by Naim Attallah

Gael Elton Mayo & Magnum Photographers

gael mayo robert capa magnum bookblastMy mother, Gael Elton Mayo, the novelist, painter and ‘Girl Friday’ for Robert Capa, Henri Cartier-Bresson and David Seymour at Magnum Photographers in its early years, was introduced to Naim Attallah by Patrick Seale. Quartet Books published her autobiography, The Mad Mosaic, which sold unexpectedly well and was reprinted, leading to the later publication of her account of surviving cancer for twenty years, Living With Beelzebub.

Quartet was avant-garde, innovative and independent, rather like Canongate today. I was going nowhere fast after leaving university, so was sent by my mother to see Naim Attallah in his plush Poland Street offices. He hired me to work with Quartet’s production director, Gary Grant.

1990s avant garde indie publishing

charlotte rampling bookblastSo one Autumn day in 1987, I turned up at 27 Goodge Street, a Dickensian building in London’s West End. I was greeted at the head of the stairs by an intriguing and enigmatic individual, who disappeared into a small office piled high with books and manuscripts, making a remark as he did so about the bars on his office window and the Birdman of Alcatraz. This was Quartet’s editorial director, Stephen Pickles. His office on the first floor was at the back of the building, next to Gary’s and mine at the front, overlooking Goodge Street. Quartet had a good reputation for publishing lavish, high-quality art and photography books and Gary was an expert at overseeing such projects, when not in the pub across the road. Production was not really my thing, so I began to do occasional odd jobs for Pickles, which rather annoyed Gary. Initially I made telephone calls to Charlotte Rampling, Lothar Schirmer and Joanna Richardson.

Continue reading The Quartet Years | published in Fulfilment & Betrayal (2007) by Naim Attallah

What do book editors want? | A Triple Entente @ifru_london @LondonBookFair

Britain is part of Europe – like it or not! Border controls do not function when it comes to words since ideas have no borders. Disseminating knowledge and cultural awareness is ever more crucial as prejudice and discrimination make an unwelcome (re)appearance on the Western stage. Books in translation matter more than ever.

As part of the build up to France’s invitation of honour to the Frankfurt Book Fair in October 2017, a series of discussion panels – “triangular talks” – were held last Monday 13 March at the Institut français du Royaume-Uni. Leading book editors from Germany, France and Britain met to discuss fiction, non fiction and what the future holds. Publishers, translators, agents and scouts packed out the library at the IFRU to hear them. Lucie Campos, Head of the French Book Office, chaired the discussions.

Continue reading What do book editors want? | A Triple Entente @ifru_london @LondonBookFair

The BookBlast™ Interview | Eric Lane, publisher | Dedalus Books @dedalusbooks

Established in 1983, Dedalus is a truly unique publishing house which is recognised for its quality and unorthodox taste in the esoteric, the erotic and the European. The press’s founder and MD, Eric Lane, is unashamedly intellectual. His tenacity and vision have kept Dedalus going through the lean times, and helped it to flourish during the good. Dedalus had two books on the Booker Prize longlist in 1995: Exquisite Corpse by Robert Irwin and Memoirs of a Gnostic Dwarf by David Madsen. The complete list of Dedalus prizewinners is at dedalus.com

Are (were) your parents great readers? Tell us a bit about yourself.
No, neither of my parents were great readers. My mother grew up on a farm in southern Italy and my father in an orphanage in Surrey. They met at the end of WW2 when my teenaged mother accompanied a friend who went for a job at the RAF base in Naples. My father was doing the interviewing and offered the friend a job and also one to my mother who refused. As they were leaving my father said to his colleague, I’m going to marry that one – meaning my mother – which he did, in February 1946. My mother was nearly 20 and my father 25. My sister was born in November 1947 and I followed in September 1949. We lived in Finchley which my mother loved. We used to go every few years to Italy. In the end my mother used to speak to everyone in Italy in English with the odd word of Italian whereas my father spoke to everyone in fluent Neapolitan. My parents were very happily married for 25 years until my father died of a heart attack in 1971.Growing up I was a voracious reader but also loved sport, especially football.I was a very spontaneous child and often got in trouble at school for being ‘cheeky’.

Continue reading The BookBlast™ Interview | Eric Lane, publisher | Dedalus Books @dedalusbooks

BookBlast™ Spotlight | The A to Z of Literary Translation | published 2008 by Words without Borders

The A to Z of Literary Translation by Georgia de Chamberet was posted on the Words without Borders blog in instalments from February to  May 2008. It was circulated at the Masters Class in Translation Studies which Alane Mason (W.W. Norton) and Dedi Felman (Simon & Schuster) team taught in at Columbia University in the City of New York in 2008. Founded in 2003, Words without Borders is a superb site which promotes cultural understanding through the translation, publication, and promotion of the finest contemporary international literature.
oOo

I contributed to the @wwborders blog from 2005-2009. Whilst writing about English PEN’s Writers in Translation committee of which I was a founder member—tapping into my experiences as an editor, agent and publicist—the idea of doing a fun, but far from definitive listing, The A to Z of Literary Translation came to mind.

Artistry and adaptation are essential to the process of literary translation, since translation is an act of writing. Also accuracy and avoiding short cuts based on the when in doubt, cut it out approach. Writers make good translators—obvious examples being Baudelaire (translator of Edgar Allen Poe) and Robert Graves (translator of classical Latin and Greek authors and George Sand).

Beyond words into the mystery of language, and its cultural hinterland, is where a good translator will carry the reader on a journey of discovery. Good literature is primarily concerned with human beings, and is cosmopolitan, traveling beyond national identity and a book’s original social and cultural context—the same goes for a good translation.

Continue reading BookBlast™ Spotlight | The A to Z of Literary Translation | published 2008 by Words without Borders

The BookBlast™ Interview | Jane Aitken, publisher | Gallic & Aardvark @BelgraviaB

Ebury Street in London’s Belgravia: a quiet, residential, affluent area. The perfect place for a bookshop where readers can enjoy peaceful browsing away from the madding crowd, and dip into some of the best French writing available in English translation. However the Belgravia Books Collective is not just a shop, but also the home of independent publishing success story, Gallic Books. It has been very much on my radar and, at last, I am going to talk to one of the founders.

Jane Aitken and Pilar Webb met when they were both working at Random House children’s, and they went on to co-found Gallic Books in 2006. Headliners Muriel Barbery (trs. Alison Anderson), Antoine Laurain (trs. Emily Boyce & Jane Aitken), Michel Déon (trs. Julian Evans) and Yasmina Khadra (trs. Howard Curtis), have an enthusiastic following among discerning British readers who relish a good, well-written read from foreign shores. 

Continue reading The BookBlast™ Interview | Jane Aitken, publisher | Gallic & Aardvark @BelgraviaB

The BookBlast™ Interview | Susan Harris @wwborders

Georgia de Chamberet recently caught up with Susan Harris, editorial director of Words without Borders, (www.wordswithoutborders.org), to chat all things publishing, literature in translation and technology.

Why publishing and not education?
Never wanted an academic career, but always wanted to work in publishing.

Did you want to be a writer, or . . . ?
Of course. (The result was “or . . .”).

How did you end up working at Northwestern University Press?
I was very lucky. I did my undergrad there, and a few years later my advisor on my senior year project became the assistant director and editor-in-chief of the press, and needed a secretary; we’d stayed in touch, and I’d worked as a secretary between undergrad and grad school. So I started in that position and then moved into others as the press evolved.
Continue reading The BookBlast™ Interview | Susan Harris @wwborders

BookBlasts™ from the past | Indie publishers remembered | Maurice Girodias & Olympia Press

Since my earliest childhood the notion of individual freedom had been deeply rooted in me. Everything I saw or felt as I was growing up turned into a passion — a passion I shared with millions of contemporary Frenchmen, although my own brand drew me toward a form of individualist anarchy while the others usually went toward practical communism or socialism. I resented and hated l’ésprit bourgeois in all its manifestations, but I also distrusted all forms of human association.” So writes Maurice Girodias in his introduction to The Olympia Reader, Grove Press, 1965.

Maurice Girodias, purveyor of some of the best erotic writing ever published which united the obscene and the beautiful, was the son of a French mother and Jewish father from Manchester, “a silver spoonfed infant and a very poor orphan.” Jack Kahane came to Paris in the 1930s and set up the Obelisk Press to publish books in English which, thanks to a loophole in French law, could not be printed in America or England because of censorship. He published Henry Miller’s Tropic of Cancer in 1934, Anais Nin, Cyril Connolly, a fragment of Joyce’s work in progress, Haveth Childers Everywhere, as a limited edition. The Young and the Evil (1933) by Charles Henri-Ford and Parker Tyler depicted gay life in Harlem and Greenwich and men earning their living there — Djuna Barnes and Gertrude Stein praised it to the skies. Continue reading BookBlasts™ from the past | Indie publishers remembered | Maurice Girodias & Olympia Press

BookBlasts™ from the past | Landmark books remembered | Lolita

“Lolita was rejected by four American publishers in 1954; published in Paris by The Olympia Press, September 1955; banned by the French government, December 1956; found “not objectionable” by U. S. Customs, February 1957; back on the market in France after Olympia won their case against the government, January 1958; published in the U. S., August 1958; re-banned in France after the government’s successful appeal against the initial judgment, December 1956; published in French in Paris, April 1959; back on the market in France in English when the government cancelled their own ban after having been sued again by Olympia, September 1959.

THIS EDITION IS THE ORIGINAL, COMPLETE AND UNEXPURGATED PARIS EDITION. IT IS THE ONLY ONE ALLOWED TO BE SOLD IN COUNTRIES OTHER THAN THE U.S.A., U.K. AND COMMONWEALTH.

So reads the back cover blurb of the April 1959 Olympia Press paperback (3rd printing) edition of Lolita. The novel may have a repugnant, discomfiting aura, but oh! how very beautifully Nabokov writes of warped lust and longing, motel sex and middle-America, as he addresses what could be termed a certain Jungian “shadow” side of male human nature. Lolita is an acknowledged classic, and rightly so. Continue reading BookBlasts™ from the past | Landmark books remembered | Lolita