Manuel D’Exil − comment réussir son exil en trente cinq leçons (A Survivor’s Guide to Exile in 35 Chapters) by Velibor Čolić
Both World War I and World War II originated in the Balkans. Central-Eastern Europe is a region that is terra incognita to most Brits. Prime Minister Chamberlain famously remarked about the Czechoslovak crisis in 1938: “How terrible, fantastic, incredible it is that we should be digging trenches and trying on gas masks here because of a quarrel in a faraway country between people of whom we know nothing.” Dictator Marshal Tito held Serbs, Croats, Slovenes, and others in a state of uneasy alliance until his death on 4 May, 1980. Ethnic tensions grew in Yugoslavia and war broke out in 1990.
The Balkans are once again the crucible of crisis – this time as the main refugee route to northern Europe. Thousands have become trapped in Greece after Macedonia, Croatia and Slovenia closed their frontiers. Continue reading Found for Translation | Velibor Čolić
Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics, and documented the lives of women in the forces with her friend the photographer Lee Miller.
This is the story of The Women ― today, as Clare Boothe Luce never imagined them yesterday. An all-star, all-women cast, it’s true, but there the resemblance ceases. These women are playing their parts in a world drama, but they remain limelight dodgers. And the scene is no demi-paradise of beauty parlours but the wild hills and lochs of Western Scotland.
Here, in pitching little boats, cutting through the mists and gales, on the big depot ship, swarming up and down plunging rope ladders, balanced, cat-like, to walk along the perilous jutting booms, picked Wrens undergo their boats-crew training. Or work as visual signallers, or service the torpedoes and depth charges aboard the motor torpedo boats and corvettes in the clanging uproar and grime of the Naval bases. One and all disprove the old wives’ or rather the old-fashioned husbands’ tale that woman’s place is the home, that women can’t get on together.
Continue reading Lesley Blanch Archive | Seaworthy and Semi-seagoing, British Vogue, 1943
Last night my French and Belgian guests came up with this for Angela Merkel & co.
Keeping it simple!
1. The right for citizens to decide what kind of EU they want.
2. The right for citizens to decide who joins the EU.
3. The right for citizens to initiate legislation directly.
4. The right for citizens to vote on financial union.
5. The right for citizens to vote on how to control borders.
6. The right for citizens to be heard from the bottom up.
7. The right to a free market regardless of being citizens of the EU or European Economic Area.
8. The freedom to keep the Human Rights Act.
9. The freedom to choose how the rule of law frames personal, civil and religious freedoms.
10. The right to clear, non-bureaucratic communication.
Georgia de Chamberet recently caught up with Susan Harris, editorial director of Words without Borders, (www.wordswithoutborders.org), to chat all things publishing, literature in translation and technology.
Why publishing and not education?
Never wanted an academic career, but always wanted to work in publishing.
Did you want to be a writer, or . . . ?
Of course. (The result was “or . . .”).
How did you end up working at Northwestern University Press?
I was very lucky. I did my undergrad there, and a few years later my advisor on my senior year project became the assistant director and editor-in-chief of the press, and needed a secretary; we’d stayed in touch, and I’d worked as a secretary between undergrad and grad school. So I started in that position and then moved into others as the press evolved.
Continue reading Interview | Susan Harris | wordswithoutborders.org